Searching for ‘chris kraus’
Chris Kraus on the notions of “real life” and freedom in her new novel Summer of Hate.
Leigh Ledare’s projects involve interpersonal triangulations in which the camera plays a crucial role and all parties, viewers included, are implicated. Upon A.R.T. Press’s publication of a book-length dialogue between him and Rhea Anastas, Ledare revisits recent works with novelist Chris Kraus.
Selections by Chris Kraus, Alan Licht, and Kelly Copper.
John Giorno’s influence as a cultural impresario, philanthropist, activist, hero, and éminence grise stretches so widely and across so many generations that one can almost forget that he is primarily a poet.
Chris Kraus and Douglas A. Martin conjure the iconoclastic author.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Myriam Gurba’s Mean is the latest in a tear of recent autofiction (including Rachel Cusk’s Transit and Barbara Browning’s The Gift) that employ the genre to showcase the complications of modern women’s lives.
Featuring selections by Justin Taylor, Shelly Oria, Mary Walling Blackburn, Kevin Killian, Barry Schwabsky, John Freeman, and more.
If Art is the sedimented history of human misery, as Adorno said, it can also be the consolation prize for a broken heart.
We are not all Pierre Guyotat, writing of our capture and interrogation in Algerian solitary in 1962, our words and acts subject to violent retaliation, but maybe we’ve seen our own soul’s bifurcation.
Two warm remembrances of the poet David Rattray, who passed away in 1993, and a video of the poet reading his piece “Mr. Peacock.”
Writers Veronica Gonzalez Peña and Erik Morse muse on the recent history of the psychological novel in the post-colonial world.
Jackie Wang writes a letter to Dodie Bellamy, the author of the buddhist.
Kate Zambreno on the careers and marriages of her modernist Heroines.
Selections by Mónica de la Torre, Matias Piñeiro, Hannah Holden, Sabine Russ, and Lisa Robertson.
Oh will I remember all that you just wrote? Memory slips even more than… what?… gender (is that self? not here)…
Tina Satter speaks about formalism, her perverse sense of humour and the importance of family drama.
Prior to Burn the Diaries, her exhibition at the ICA Philadelphia this fall, Davey exchanged thoughts with Paris-based writer Lebovici on autobiographical writing, the formal potential of aerograms, and scatological confessionalism.