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The pleasures of literary play in the writer’s final novel.
The Thingliness of Things at the Hammer Museum.
You are magnetic in the old way. / For Duchamp, the neutrality of objects / You stand in a room of your own design. / becomes a sort of anti-aesthetic
The Invention of Ana novelist on the manipulations of narrative, being submerged by fiction, and the protagonist as STD.
Challenging the nature of things.
Rediscovering a beguiling masterpiece forty years after its publication.
“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”
The Restless Souls novelist on reading his reviews, working as a medical equipment tester, and writing responsibly about war and trauma.
The artist talks about dismantling street advertisements and their infrastructure.
When she told N she was leaving, his response was that doing so would ruin him—financially.
It was nearly winter, according to the sun and shadows and temperature’s plummet, when the poor girl lost her job at a greenhouse for the misdemeanor of pocketing rare plants.
Citation, embodiment, movement, and holograms.
“Nothing you will see tonight is normal,” said Elihu’s mother. It was the first exciting thing she’d ever said.
PREPARE no night creature accidental enemy / encounters return to us in witch cradles, monsters by a hairsbreadth / these our works melted no / accident these fires these crashes / capitulate to what is meant by the past as a whole / melt, fall back into accomplishment the grasp of who / prepares to give the message
On more than one occasion I have been accused of disliking Langston Hughes. Untrue.
The black music of herbs.
The poet on the politics of the gaze, the migratory act of reading, the anxiety of bilingualism, and the universality of shame.
Ville Kumpulainen is a photographer living and working in Helsinki, Finland. In his new book, Out of Sight (Hatje Cantz, 2017), Kumpulainen manipulates archival images to solidify the tenuous connection between present and past, attempting to fill the gaps left between himself and his history.
Sammy Stein is a French artist and publisher. His work has been shown in institutions such as the Museum of Modern Art of the City of Paris, Printed Matter, the French Institute of Tokyo, Essential Store, as well as book fairs including the New York Art Book Fair, Tokyo Art Book Fair, Safari, and Festival International de la Bande Dessinée d’Angoulême.
