Discover MFA Programs in Art and Writing
BOMB 76 Summer 2001
To look at any painting by Robert Mangold is to see exactly what is there. For over 30 years, his work has been clear and direct.
Brian Tolle is currently a very busy man. He’s been awarded a commission by the Battery Park City Authority to design and oversee the installation of a memorial to the Irish Famine.
This 43-year-old ex-schoolteacher and object of hero worship is a beer-drinking, chain-smoking basketball-playing regular dude who happens to be obsessed with experimental and psychedelic pop music.
Carl Phillips is the author of five books of poetry, including, most recently, The Tether, a movement of work that goes as deep into the unknown and perhaps ultimately unchartable realms of desire, wanting and mortality as any we are likely to encounter.
I wish I could say of the integrity in Kenneth Lonergan’s dramas that all the separate works are like blocks of marble from the same quarry, showing the same veins and faults as the mother rock, but Malcolm Cowley already said it about William Faulkner.
Often regarded as a Southern artist, William Eggleston does not consider himself as such in any traditional sense of the term.
Sometimes I see a new artist who is surprising because she brings certain images and qualities to painting. Inka Essenhigh’s images span a range from funky and cartoony to elegant, like science fiction rendered into Ming Dynasty decoration, Chinoise screens, or lacquered bowls.
Sure, the painter Shahzia Sikander, born and raised in Pakistan, manages to flip the script on the whole history of Indian miniatures, but to position her as an artist throwing off the oppressive yoke of male patriarchy, Islamic censorship, or the pervasive Western fantasy of South Asian culture as simply some kind of prohibitive version of Footloose does a disservice to her work.
Thomas Shannon’s floating world has a precision that can be paired with dreams. Using Earth’s gravity as mean point, a kind of beginning, Shannon guides inert materials such as aluminum and wood to release their weight.
This First Proof contains an excerpt from Our Lady of the Assassins.
This First Proof contains the story “Harry Bellefield.”
This First Proof contains the story “Little Rodney.”
This First Proof contains the poems “Xenophon’s Soldiers,” Melitopoles,” and “Queen (Failed).”
This First Proof contains the story “American Children.”
This First Proof contains the poems “See-Saw,” and “Come Back.”
This First Proof contains the poems “Thought Experiment: The Chinese Room,” and “Thought Experiment: Mary in the Black-and-White Room.”
This First Proof contains the story “The Ambassador’s Son.”
The Frogs, who’ve been writing and recording for 20 years, diverge (to some degree) from their basement roots to make an album with slightly more production value.
The movies about Downtown are fairy tales.
Tran Anh Hung’s latest film is filled with love and infidelity, skirting the line between reality and a dreamworld.
During a panel discussion on The Novel some years ago, Allan Gurganus eloquently brought the talk about Big Ideas around to LANGUAGE, saying, memorably, “There are those of us who are still loyal at the level of the sentence.”
Miguel León-Portilla teamed up with Earl Shorris to assemble this magnum opus of Mesoamerican literature, and in this task they achieve nothing less than the human and divine.
Far from the imperium of treatise and consulting room, we dabble in the contingent art of persuasion, the gathering together and trying out of a personal poetics.
Heather McGowan’s Schooling is a coming-of-age tale with a sensitive, nubile protagonist, the kind of novel described by eager publicists as “luminous.”
Haruki Murakami combines love, pain and the profoundly weird in his novel Sputnik Sweetheart.
Sheila Kohler profiles newly edited editions of Colette’s The Pure and the Impure and Alberto Moravia’s Boredom.
The painter Jacqueline Humphries might find it odd that NBC uses an editing process called the “tease and squeeze”: compressing the closing credits into one-third of the screen, while outtakes and other brief clips of “promotainment” roll on the remaining two-thirds.
While some artists are now using “architectural objects” for their art, some architects are claiming “artistic objects”; Set Diagram, a collaboration between Terry Winters and Rem Koolhaas, attempts to highlight the unique roles of both architecture and painting, while at the same time achieving an integration of the two artistic disciplines.
As spring slowly warms to summer, casting off the heaviness of winter, anyone who has patiently endured the nasty weather is entitled to at least one guilty pleasure—a little azúcar to further sweeten the transformation from heavy scarves and smothering hats to bare, brown shoulders, and flip-flops.