BOMB 152 Summer 2020

152 Cover
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Editor's Choice

Nina Menkes’s Queen of Diamonds by Catherine Damman

“Are you in pain?”

The first words spoken in Nina Menkes’s 1991 film, Queen of Diamonds, treated to a recent 4k restoration, slice through minutes of opening silence.

Bernadette Mayer’s Memory by Diana Hamilton
Siglio Memory Mayer Single 04

Bernadette Mayer’s Memory was never meant to be a book.

Kazik Radwanski’s Anne at 13,000 Ft. by Esmé Hogeveen
Anne At 13000Ft 3

“You look really different than your picture.” This skewering statement is delivered at the outset of a doomed Tinder date by Anne, the impish protagonist of Kazik Radwanski’s Anne at 13,000 Ft.

Bram Büscher and Robert Fletcher’s The Conservation Revolution by Amelia Rina
The Conservation Revolution Bram Buscher

Capitalism is fundamentally unsustainable. In the spring of 2020, the world began experiencing this fact more acutely than ever, as humankind struggled to control the COVID-19 pandemic.

Wayne Koestenbaum’s Figure It Out by Tracy O’Neill
Figure It Out By Wayne Koestenbaum

In a career spanning over two decades, Wayne Koestenbaum has copped to a lot.

Essay

The End of White Supremacy, An American Romance by Saidiya Hartman

One hundred years later, Hartman revisits W.E.B. Du Bois’s 1920 short story, “The Comet”—”a speculative fiction about the end of the world written after the pandemic of 1918, after the Red Summer of 1919, and in the context of colonial expansion and atrocity.”

Interviews

Issue #152: Nicolas Party by Jonathan Lee

Party creates vivid pastels and transformational installations that lure viewers deep into the backstories of his subjects.

Jenny Offill by Claire Vaye Watkins
Jenny Offill author photo

After researching climate change and survival psychology for her novel Weather, Offill asks if we might imagine a different way to live.

Brenda Goodman by Clarity Haynes
Passing Through 72X60 Oil On Wood 2019

The painter looks back on five decades of experimentation and how that’s generated new levels of confidence and clarity in her art.

Amoako Boafo by Belinda Kazeem-Kamiński
Amoako Boafo Bomb Magazine 6

Boafo, who studied painting in Accra and then in Vienna, evokes Egon Schiele in his intimate portraits. Now back in Accra, he reflects on the people who inspire him.

Issue #152: Craig Taborn by Camille Norment
Issue Project Room 2 15 18 Bw 51 Bw

Two sound artists on noise, fractals, Bach, Cecil Taylor, the new 7 PM ritual, and whether we still have use for the word improvisation.

Issue #152: Jibz Cameron by Svetlana Kitto
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The performance artist aka Dynasty Handbag recounts her journey from the San Francisco DIY scene to New York’s avant-garde theater world and ultimately to Hollywood.

Rowan Ricardo Phillips by Gregory Pardlo
Rowan Ricardo Phillips spread from BOMB Magazine 152

From epics to lyrics, Rowan Ricardo Phillips considers poetry’s reckoning with history and how writing will reflect our current crisis for future generations.

Odili Donald Odita by Ugochukwu-Smooth C. Nzewi
Od19 010 Flower Hr

For BOMB’s Oral History Project, Odita, known for his geometric paintings, recalls growing up as a refugee from the Nigerian Civil War and the influence of his father, a historian of African art.

Fiction

Issue #152: Michael in Light Colors by Marie-Helene Bertino

The Approach by Michael Baptist
The Approach Mockup

At the appointed time, the team members left their rooms and followed Phillip’s directions. They walked down the hallway and up the stairs to a room at the end of the corridor.

Issue #152: Forgetting Caen by Lydia Davis
Forgetting Cain Mockup

I have just read a diary entry from fifteen years ago, in which I wrote that I had just read some diary entries from many more years before that, written at a time when I was staying by myself in a small town near Caen, in Normandy.

Heart Beats by Nora Lange
Noral Lange Mockup

“What’s a dinner party without a bit of schadenfreude?”

Tattoo by Legna Rodríguez Iglesias
My Favorite Girlfriend Was A French Bulldog

My favorites are the ones you see, but I have a lot you don’t see unless I’m naked. And I’m not going to get naked now. I’m too embarrassed with you.

The World’s Second-Oldest Woman by Maxwell Paparella
Maxwell Mockup2

No one lives every day as the person they want to be. It is rare that a full hour should pass in such a feeling.

Poetry

Song of the Andoumboulou: 255 by Nathaniel Mackey

Lake Pred was no lake but a precondition, / predecessor assault that kept coming, / preterite arrest we couldn’t quit.

Ode to My Homegirls by Safia Elhillo
Ode To 3

after Matthew Olzmann