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Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline.
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline.
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline.
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline.
Brooklyn-based artist Ati Maier is currently in North Dakota, where she has joined the Standing Rock Sioux in their demonstrations against the Dakota Access Pipeline.
Amie Siegel’s exhibition Provenance, her first at Simon Preston Gallery, might close this Sunday, October 6, yet it constitutes only one of the stages of a larger project that tracks the global flow of commodities accruing cultural and economic capital as they become extracted from their primary context.
BOMB visits Steve Roden and Stephen Vitiello at Governor’s Island to discuss Cagean concepts of silence, harmonizing with the outside world and listening to mimes.
BOMB founder Betsy Sussler talks to painter Eric Fischl about his new memoir Bad Boy: My Life On and Off the Canvas.
BOMB is pleased to present an exclusive clip from Mickalene Thomas’s new film Happy Birthday to a Beautiful Woman.
Watch a BOMB Extra Video with artist Bjorn Copeland, whose band Black Dice has a new album, Mr. Impossible, out now.
In making the work, the collaborators went back and forth, toggling from image to poem and poem to image, so that it is impossible to say which came first.
Richard J. Goldstein explores the shifting, spectral geometry of Dorothea Rockburne’s retrospective, In My Mind’s Eye. Watch a video of his visit in the second of a two part installment of BOMB on the Scene.
Richard J. Goldstein explores the shifting, spectral geometry of Dorothea Rockburne’s retrospective, In My Mind’s Eye. Watch a video of his visit in the first of a two part installment of BOMB on the Scene.
“In Mickalene Thomas’s mirror the woman staring back is a self-assured, powerful woman making artwork at the very top of her game. Her new paintings are as emotionally moving as they are visually stimulating.” —Sean Landers, in BOMB 116.
“Elizabeth Streb is one of the most daring thinkers and performers I have ever known.” -A.M.Homes