Review

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Sam Pink’s The Ice Cream Man and Other Stories by Darina Sikmashvili
Sam Pink, The Ice Cream Man and Other Stories
Thalia Field and Abigail Lang’s Leave to Remain by Shelly Oria & Nelly Reifler
Thalia Field, Abigail Lang, Leave to Remain—Legends of Janus, Dalkey Archive Press, 2019

At the heart of Leave to Remain is the two authors, who, like Janus, share two faces and a mind that begins as two but comes to function as one,.

Books that Hold Performance by Sophie Seita
Valencia Mariana, ALBUM Spread, 58-59

How do we translate performance onto the page?

Jasmine Guffond’s Microphone Permission by Kristen Kubecka
Jasmine Guffond, Record Cover

This spring, Vienna’s experimental label for “new punk computer music,” Editions Mego, releases an anxiety-inducing record by Australian-born, Berlin-based sound artist Jasmine Guffond.

Édouard Glissant’s Sun of Consciousness by Miho Hatori
Édouard Glissant, Sun of Conciousness,

Last spring, inspired by Édouard Glissant’s theory of mondialité, I created an experimental performance salon at The Kitchen, featuring sound stories with an attitude of globality and an improvised/ambient/chanting vibe.

Bouchra Khalili’s The Radical Ally by Sophie Kovel
Bouchra Khalili, The Radical Ally

In February 1970, the Black Panther Party (BPP) sought political support from the French dissident writer Jean Genet, after his play The Blacks, which had recently traveled to New York, suggested he might be an ally.

Christine Miller and Brittany Vega: American Hex Reviewed by Amelia Rina
Horrible Moral Squint II American Hex Brittany Vega

Acknowledging the past in order to construct a better future.

Kelly Reichardt’s First Cow by Michael Blair
First Cow 02  Courtesy Of A24

Two friends flee from a band of vengeful hunters in the 1820s Northwest and dream of striking it rich.

Unity and Defiance: Bacurau Reviewed by Ken Foster
Bárbara Colen as Teresa in Bacurau 2020

A world in which quiet beauty can still intercept brutality and corruption.

Loplop Persists: Max Ernst’s Collages Reviewed by Elina Alter
Max Ernst1

The imaginary as real.

On Claude McKay’s Romance in Marseille by Coleman Collins
Mc Kay Romance In Marseille

The writer’s posthumously published novel, written ninety years ago, holds a mirror up to the past and present.

Desire for a Re-enchanted World by J.T. Price
High Weirdness

On Erik Davis’s High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies

An Evolution of Textures: Mary Halvorson and John Dieterich’s A Tangle of Stars Reviewed by Jasmine Dreame Wagner
0017077188 10

On preserving improvisational force and the fluid collaboration between two musicians.

Upon This Land: Shadowboxing Reviewed by Stephanie E. Goodalle
Shadowboxing1

Two artists render the historical legacies of racism.

Becoming Peter Ivers by Clinton Krute
Rervng09 Digital Cover 1500Px

The life of mutant-pop songwriter Peter Ivers was really something.

Peter Brook and Marie-Hélène Estienne’s Why? by Maria Litvan
Tfana Why 7

“I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.”

Céline Sciamma’s Portrait of a Lady on Fire by Mark Lukenbill
Heloiseplage21857263391

Portraits and hauntings are inseparable bedfellows in film history.

Kirsten Grimstad and Susan Rennie’s The New Woman’s Survival Catalog: A Woman-made Book by Carmen Hermo
Pi– Nwsg Pg200

On the 1973 feminist publication that gathered collective and self-help resources into one big, beautiful book.

Elaine Kahn’s Romance or The End by Rob Goyanes
Romance Or The End

All loves—and all selves—are fictions. Though that doesn’t mean they aren’t true.

Lana Lin’s The Cancer Journals Revisited by Amber Power
Cjr Womens March Tg

An interrogation of the ways in which the system of representation surrounding breast cancer can isolate, infantilize, and even erase the women it professes to help.

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