Review

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Steven Holl: Making Architecture by Michael Brod
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An architect starts with watercolor.

Fuck It, Let’s Boogie (or Everything Will Be Taken Away): Adrian Piper’s A Synthesis of Intuitions: 1965–2016 by Jessica Lanay
Adrian Piper1

A retrospective by the groundbreaking conceptual artist.

Living with Contradiction: On Weight of the Earth, David Wojnarowicz’s Tape Journals by Mattilda Bernstein Sycamore
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The real-time making of an artist.

Race and Sexual Violence: Nancy Buirski’s The Rape of Recy Taylor by Sasha Bonét
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A film uncovers an episode at the origins of the civil rights movement.

Ninety-Nine Footnotes: On Dag Solstad’s Armand V by Bradley Babendir
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An anti-novel about the value of the unseen, unknown, and unwritten.

Tangled Guys: Dennis Cooper, Ishmael Houston-Jones, and Chris Cochrane’s THEM by Lisa Borst
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A look back at the AIDS crisis.

Ursula Le Guin and Todd Barton: Music and Poetry of the Kesh by Matthew Erickson
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Ancient music to accompany a sci-fi novel.

Sheep in Woolf’s Clothing: Elevator Repair Service’s Everyone’s Fine with Virginia Woolf by Helen Shaw
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An experimental theater company takes on Edward Albee.

Life Like: Sculpture, Color, and the Body by Cynthia Eardley
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A historical survey of figurative sculpture.

A Bildungsroman Spy Novel: On Rosalie Knecht’s Who is Vera Kelly? by Kristen Martin
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The covert operative with a complex psyche.

Keeping the Past Present: Shadowed! by Anne K. Yoder
Rothenberg Shadowed

An exhibition catalogue for Ellen Rothenberg’s elsetime.

We Are The Thoughts of Sorrows: On Lou Reed’s book of poems Do Angels Need Haircuts? by Alex Zafiris
Reed Review

After The Velvet Underground, a poetic underworld.

Songs for Sabotage: The New Museum Triennial by Matthew J. Abrams
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A political exhibition wrestles with its complicity.

The Limits of Sympathy: On Rachel Kushner’s The Mars Room by Daniel Pearce
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What literature can (and can’t) tell us about America’s criminal justice system.

Screen Interactions: Howardena Pindell’s Video Drawings by Olivia Gauthier
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Television and its simulations.

Weird Science: Built For Collapse’s DANGER SIGNALS by Amber Power
Danger Signals1

The gendered history of lobotomy.

A Formal Intimacy: Peter Hujar: Speed of Life by Ingrid Dinter
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A retrospective exhibition of a unique photographer’s work.

Architecture as Metaphor: William Forsythe and Tino Sehgal at A Prelude to The Shed by Cory Nakasue
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A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.

A World Without the Present: on Yoko Tawada’s The Emissary by J.W. McCormack
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The novelist’s latest imagines an apocalypse that feels all too likely.

A Taxonomy of Refusal: On Anne Boyer’s A Handbook of Disappointed Fate by Julia Bosson
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Essays that investigate the poetics of “no.”

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