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Leonora Carrington’s The Hearing Trumpet by Victoria Nebolsin
The Hearing Trumpet2

Celebrating the better hell of her own making.

Leonora Carrington’s The Hearing Trumpet by Victoria Nebolsin
The Hearing Trumpet2

Celebrating the better hell of her own making.

On Animal Empathy: Viktor Kossakovsky’s Gunda Reviewed by Conor Williams
Gunda Still1 Courtesyof Neon

An elegant portrait of a mother pig.

Liberating the Taxonomic: Mark McKnight Reviewed by Steven Warwick
Tear Mark Mc Knight1

Queer, corporeal figures in a desert landscape.

Art Isn’t Fair: Further Essays on the Traffic in Photographs and Related Media by Allan Sekula Reviewed by Billy Anania
Art Isnt Fair Allan Sekula1

A new book of writings and photographs by the acclaimed artist and writer.

Camilo Restrepo’s Los Conductos by Clinton Krute
Still from Camilo Restrepo's Los Conductos

Camilo Restrepo’s debut feature, Los Conductos, traces the wanderings of a wiry mendigo named Pinky, in a sepulchral unnamed city.

Ana Prvački’s Pandemic Trilogy by Regine Basha

Prvački releases three wry videos offering coping strategies for our bleak and awkward new social reality.

Syan Rose’s Our Work Is Everywhere: An Illustrated Oral History of Queer and Trans Resistance by Tim O’Leary
Our Work Is Everywhere cover

Syan Rose’s intimate conversations with a wide spectrum of queer and trans people coalesce with her art as she portrays the people she spoke with.

Candace Jane Opper’s Certain and Impossible Events by Ilana Masad
Certain Black
Ulrike Meyer Stump’s Karl Blossfeldt: Variations by eteam
Karl Blossfeldt Contact Print Sheet P60

In the 1890s in Berlin, a young sculptor started going out collecting plants.

Maria Stepanova’s In Memory of Memory by Ali Hassani
Step White

Somewhere in post-Soviet Moscow, the narrator of Maria Stepanova’s In Memory of Memory rummages through the apartment of her recently deceased aunt and comes across a collection of family photographs, some over a century old.

Nona Fernández’s The Twilight Zone by Anderson Tepper
Twilight 4
A Life Intrinsic to the Work: RAPHAEL MONTAÑEZ ORTIZ Reviewed by Jacob Korczynski
Cover Raphael Montanez Ortiz1

An overdue publication dedicated to the practice of the interdisciplinary artist, educator, and founder of El Museo del Barrio.

Fear Can Set Us Free: Kiyoshi Kurosawa’s To the Ends of the Earth Reviewed by Ken Foster
To The Ends Of The Earth Still1 Atsuko Maeda

A young Japanese journalist shooting a televised travel program in Uzbekistan confronts her deepest fears and hidden aspirations.

André Breton and Philippe Soupault’s The Magnetic Fields by Marko Gluhaich
Pages From Magnetic Fields Txt Low Res 1 Copy

In 1919, André Breton and Philippe Soupault were coming of age in the wake of World War I and the Spanish influenza pandemic.

Black Unity Trio’s Al-Fatihah by Matthew Rivera
Black Unity Trio Front Cover High Res Copy

Reissued for the first time after fifty years, the Black Unity Trio’s rare and explosive free jazz album Al-Fatihah still resonates with the sounds of solidarity amid a scene of intense political struggle.

Artavazd Pelechian’s Nature by Nicholas Elliott
Mentioned In Piece Copy

Artavazd Pelechian’s Nature is not about the end of the world, but you could be forgiven for thinking otherwise.

Caroline Catz’s Delia Derbyshire: The Myths and the Legendary Tapes by Max Pearl
Derbyshire 2 Bw Copy

TV shows and films about alternate dimensions or alien planets are only convincing when paired with sounds that also seem otherworldly.

Matt Keegan’s 1996 by Charity Coleman
Ip036 1996 Interior 01 Copy

A sleek but sensitive compendium of cultural production and politics three years in the making and spanning more than two decades.

Douglas Crimp’s Dance Dance Film Essays by Rosalyn Deutsche
Triciabrown Ber4610 Copy

At some point in the late ’70s, when Douglas Crimp and I were art history doctoral students at the Graduate Center, CUNY, he invited me to the ballet.

Alex Balgiu and Mónica de la Torre’s Women in Concrete Poetry: 1959–1979 by Ted Dodson
00 Cover Copy

In the series of images, de Barros licks a typewriter’s keys, then its typebars, before becoming increasingly ensnared by the typewriter.

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