Wojnarowicz: F**k You F*ggot F**ker (World of Wonder) a documentary by Chris McKim, pays tribute David Wojnarowicz, capturing the care and ferocity of the AIDS activist and artist.

Rosine Mbaka’s film Delphine’s Prayers (Tândor Films) documents her friend—a fellow Cameroonian immigrant in Brussels—as she reckons with the aftermath of sexual violence.

Nanfu Wang’s documentary In the Same Breath (HBO) chronicles the COVID-19 pandemic, its paradoxical propaganda, and how China and the US “responded to the spread of the coronavirus by protecting their public image above all else.”

Elisa Shua Dusapin’s debut novel, Winter in Sokcho, transports us to the off-season in a resort town near the North Korean border.

Matthew Soules’s Icebergs, Zombies, and the Ultra Thin looks at how finance-driven architecture is disrupting cities “not through gentrification but rather through zombification.”

From weapons of war to their artistic applications, Alex Quicho’s book Small Gods takes a comprehensive look at drones in the 21st century.

In Things I Have Withheld, Kei Miller’s most personal collection to date, the Caribbean philosopher addresses “his own body and its implications.”

The first English translation of the Romanian writer’s novel—a poetic exploration of the body that both engages and resists gender.

What we see when we watch writers write.

Videos that mix children’s entertainment and existential dread.

Painting the delirium of everyday life.

An important retrospective collects nearly one hundred artworks.

A collection of essays that are charming, quirky, and at odds with each other.

Celebrating the better hell of her own making.

An elegant portrait of a mother pig.

Queer, corporeal figures in a desert landscape.

A new book of writings and photographs by the acclaimed artist and writer.

Camilo Restrepo’s debut feature, Los Conductos, traces the wanderings of a wiry mendigo named Pinky, in a sepulchral unnamed city.

Prvački releases three wry videos offering coping strategies for our bleak and awkward new social reality.

Syan Rose’s intimate conversations with a wide spectrum of queer and trans people coalesce with her art as she portrays the people she spoke with.