Review

Discover MFA Programs in Art and Writing

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Dyke Beauty: Gala Mukomolova’s Without Protection by Natalie Adler
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A poetry collection on the violence of knowledge, sexual awakening, and encounters through Baba Yaga’s forest.

Field Work: Jeffrey Yang’s Hey, Marfa by Nathaniel Tarn
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An anthropoetry of Marfa, Texas, and far beyond.

Signaling Through the Flames: On The Gulf by Belle Boggs by Kristen Martin
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A scam writing workshop for Christians breeds empathy.

Witchcraft and Waterfalls: Nietzchka Keene’s The Juniper Tree by Dana Reinoos
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A forgotten feminist fairy tale and Björk’s big-screen debut, The Juniper Tree, returns.

Issue #147: Frederic Tuten’s My Young Life by Thomas Bolt
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My Young Life is a memoir of becoming…

Issue #147: Abbigail N. Rosewood’s If I Had Two Lives by Yasmin Roshanian
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In New York, everything sounds back to Vietnam…

Issue #147: Beatriz Colomina’s X-Ray Architecture by Ashley Simone
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The story is contagious and the imaging tells it…

Chilling Artistry: On Mariana Dimópulos’s All My Goodbyes by Sarah Blakley-Cartwright​
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A novel about new global citizenship, the absurdities of late capitalism, and the unsettling power of silence. 

The Art Happens Here: Net Art’s Archival Poetics by Olivia Gauthier
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Presenting a canon of net art.

Privilege is Political: On Madhuri Vijay’s The Far Field by Naheed Patel
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Confronting the violent politics of a homeland.

Two-Way Gaze: Devan Shimoyama’s Cry, Baby by Jessica Lanay
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Radically imagined safe spaces for black queerness.

Issue #147: El Cine Quema: The Films of Raymundo Gleyzer by Will Noah
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The insurgent Argentine documentarian’s retrospective screens at Anthology Film Archives from February 22 through 28. 

The Potential of Additional Happenings: Elliott Jerome Brown Jr.’s a simple song by Stephanie E. Goodalle
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Photographic portraits that reveal and conceal. 

Hurtling Toward a New Voice: On Niviaq Korneliussen’s Last Night in Nuuk by Ruby Brunton
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Nuanced identity and adolescent angst from Greenland.

The Endorithm 7 by Keith Connolly
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A selection of recently reissued music by Takehisa Kosugi, Roger Doyle, Laurie Spiegel, Luciano Cilio, and Dennis Weise.

Changing the Dial: Robert Ashley’s Improvement (Don Leaves Linda) by Alec Mapes-Frances
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A newly reconstructed “opera for television.”

The Body and Its Image: Janice Guy by Matthew J. Abrams
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The revealing/concealing nature of self-portraiture. 

The Feeling of the Everyday: Byron Kim’s “Sunday Paintings” by Wallace Ludel
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Sometimes the sky is enough.

The Accidental Messiah: On Sam Lipsyte’s Hark by Hunter Braithwaite
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Writing satire in the Trump era.

Unsettling Objects: On Samanta Schweblin’s Mouthful of Birds by Lincoln Michel
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Stories full of weird.

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