Review
Portraits that capture the everyday.
A medium for conversations about deep time, how war affects our consciousness, literature and, of course, nothing.
A playful take on Latin American expeditions that reveals the contradictory problems therein.
Jim Henson’s Netflix prequel is a masterpiece of puppetry filled with allusions to our contemporary moment.
A box of poems, pamphlets, and postcards that gesture towards the porous boundaries between the real and virtual spaces of cultural formation.
Exploring liminal spaces.
A film about departures, the kind without return.
This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…
A gritty portrait of city life in the Wild East.
A perfect hybrid of minimalism and spiritual jazz.
The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…
Reconciling a futurist aesthetic with a story of the past.
Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.
A 1950s queer cinema staple has been restored.
In her first novel, Quin eschews redemption or resolution, suggesting that the Oedipal drama will go on endlessly in new configurations.
The first time I heard something on Nyege Nyege Tapes was on computer speakers. For once, the promotional blurb wasn’t hyperbolic …
Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…
Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture
