Review

Art online during COVID-19.

A moving treatise on how to look closely and see truthfully while unearthing a family history in Taiwan.

In an American era of death and decline, where does Byrne see the path to utopia?

Examining the war of images in the current political landscape.

It’s rare for a short story to cause a ruckus, and Shirley Jackson’s “The Lottery” is one of the few exceptions.

“With my straight razor, I unmask the lie,” Rainald Goetz read at a literary prize competition in 1983. Then, Goetz picked up a blade and sliced open his forehead, nonchalant.

Tilda Swinton once said in an interview, referring to her collaborator Derek Jarman, director of Wittgenstein (1993): “He was the material of his own work.”

Lafawndah extends outward, drawing on the emotionally charged myths of N.K. Jemisin’s Broken Earth trilogy to guide her.

Decade of Fire is a remarkable tale of the Bronx’s rise from ash, standing to set the record straight about the fires that ravaged the borough in the late ’60s and ’70s.

In mid-March, a still from the reality show Big Brother in Germany circulated on the Internet. It showed the contestants, who had been locked in a house together since early February, relaxing in a hot tub, blissfully unaware of the pandemic surging across the globe.

A Cuban political thriller that leaves politics off-screen.

Offering open access to essays, lectures, and performances by contemporary artists and scholars during the pandemic.

A collection of texts by and about the groundbreaking choreographer and filmmaker.

Cultural hybridity and displacement between East and West.

The poet Anne Waldman leads a global musical collaboration.

“Are you in pain?”

The first words spoken in Nina Menkes’s 1991 film, Queen of Diamonds, treated to a recent 4k restoration, slice through minutes of opening silence.

Capitalism is fundamentally unsustainable. In the spring of 2020, the world began experiencing this fact more acutely than ever, as humankind struggled to control the COVID-19 pandemic.

In a career spanning over two decades, Wayne Koestenbaum has copped to a lot.

Bernadette Mayer’s Memory was never meant to be a book.

“You look really different than your picture.” This skewering statement is delivered at the outset of a doomed Tinder date by Anne, the impish protagonist of Kazik Radwanski’s Anne at 13,000 Ft.