Review

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To Be With Time: Varda by Agnès Reviewed by Amy Chabassier
Agnès Varda Courtesy Of Ciné Tamaris

A final, reflexive work from the godmother of the French New Wave.

The Misadventures of Nuns by Tobias Carroll
The Corner That Held Them4

On Sylvia Townsend Warner’s The Corner That Held Them, a witty and subversive novel about life in a fourteenth century convent.

A Dream Deferred: Isaac Julien’s Looking for Langston Reviewed by Ehm West
Stars

A portrait of Langston Hughes and Black queer Harlem.

Tent Music: 75 Dollar Bill’s I Was Real Reviewed by Michael Blair
Screen Shot 2019 11 01 At 11 46 07 Am

“You could dance to it, mourn with it, revel in it, or march alongside it.”

The Fragility of Marguerite Duras by Julia Bosson
Duras Shadow

On her new collection of nonfiction, Me & Other Writings.

An Unavoidable Gaze: Amy Sherald: “the heart of the matter…” Reviewed by Re’al Christian
Amy Sherald1

Portraits that capture the everyday.

Johanna Skibsrud’s The Nothing That Is: Essays on Art, Literature and Being by Katharine Coldiron
Nothing

A medium for conversations about deep time, how war affects our consciousness, literature and, of course, nothing.

Conceptual Fantasies: On Mark Haber’s Reinhardt’s Garden by Carlos Fonseca
Reinhardt Garden4

A playful take on Latin American expeditions that reveals the contradictory problems therein.

Offering a World: Garry Winogrand: Color Reviewed by Gideon Jacobs
Garry Winogrand1

Photography’s mess.

Hope Is Fragile: The Dark Crystal: Age of Resistance Reviewed by Monica Uszerowicz
Kevin Baker And Netflix

Jim Henson’s Netflix prequel is a masterpiece of puppetry filled with allusions to our contemporary moment.

On Joseph Mosconi’s Ashenfolk by Eric Schmaltz
Ashenfolk

A box of poems, pamphlets, and postcards that gesture towards the porous boundaries between the real and virtual spaces of cultural formation.

I Do Not Know What It Is I Am Like: The Art of Bill Viola Reviewed by Julia Clift
Bill Viola1

Exploring liminal spaces.

Ritu Sarin & Tenzing Sonam’s The Sweet Requiem by Sabine Russ
The Sweet Requiem Film Still1

A film about departures, the kind without return.

Jack Briece’s Heterophonious Fool by Tyler Maxin
Jack Briece Bomb Magazine 149

This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…

Natasha Stagg’s Sleeveless by Eugenie Dalland
Sleeveless Cover

Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.

Ben Lerner’s The Topeka School by Ryan Meehan
Topeka School Cover Bomb Magazine

Reconciling a futurist aesthetic with a story of the past.

Joshua Abrams & Natural Information Society’s Mandatory Reality by Ben Vida
Photo By Charlie Gross

A perfect hybrid of minimalism and spiritual jazz.

Wioletta Greg’s Accommodations by Sean Gasper Bye
Wioletta Greg Bomb Magazine

A gritty portrait of city life in the Wild East.

Who Is Michael Jang? Reviewed by Stephen Hilger
Michael Jang The Jangs Study Hall Hires

The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…

Femmes Damnées: Jacqueline Audry’s Olivia by Mark Lukenbill
Olivia 07 Courtesy Icarus Films And Distrib Films Us

A 1950s queer cinema staple has been restored.

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