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On the 1921 Tulsa Race Massacre
1  Little Africa In Ruins Web

A project organized by Kalup Linzy

On the 1921 Tulsa Race Massacre
1  Little Africa In Ruins Web

A project organized by Kalup Linzy

Work Is Love Made Visible by Somnath Bhatt
Bhatt Comic Tan
Protest Drawings by Steve Mumford
Cb7350203D7140Ba66Bb84B983D5398D Bw
What Sustained Us: Literature
What Sustained Us Lit

For this particularly challenging year, we’ve asked Elisa Gabbert, Amelia Gray, Myriam Gurba, Jessica Lanay, Greg Mania, Lydia Millet, Lara Mimosa Montes, Rakesh Satyal, Asiya Wadud, Charles Yu, and C Pam Zhang to tell us what sustained them.

Cookbooklets by Dindga McCannon & LeonRaymond Mitchell
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What Sustained Us: Performance
What Sustained Us Performance

For this particularly challenging year, we’ve asked Kaneza Schaal, Simone Forti, Anthony Roth Costanzo, Christiane Jatahy, Tina Satter, and Jibz Cameron to tell us what sustained them.

What Sustained Us: Film
What Sustained Us Film

For this particularly challenging year, we’ve asked Garrett Bradley, Courtney Stephens, Alex Strada, Ephraim Asili, Nicholas Elliott, Mary Lucier, Tania Cypriano, Alan Licht, and Nina Menkes to tell us what sustained them.

What Sustained Us: Music
What Sustained Us Music

For this particularly challenging year, we’ve asked IONE, Lea Bertucci, Craig Taborn, Mary Halvorson, Felicia Atkinson, Miho Hatori, and Matana Roberts to tell us what sustained them.

What Sustained Us: Visual Art
What Sustained Us Art

For this particularly challenging year, we’ve asked Maria Thereza Alves, Carolina Caycedo, Jennie C. Jones, Alan Michelson, Jordan Nassar, Vick Quezada, Jacolby Satterwhite, Hiba Schahbaz, Diana Thater, and Dyani White Hawk to tell us what sustained them.

Portfolio by Malcolm Peacock
Malcom Peacock Single Pages Min
Portfolio by Stanya Kahn
No Go Backs Stanya Kahn1

Pressurized states of being and strategies of survival.

May We Be Changed by Lale Westvind
Comic 1
Field Recording by Miho Hatori
Miho Hatori

In May, BOMB asked artists how COVID-19 and quarantine were affecting their creative process. How were they making art now?

Project by Garrett Bradley
Garrett B

“Project”(a poster included in issue #153) features a double-sided image, a hand-lettered slogan on one side and an archival film montage of activist and politician Stacey Abrams on the other.

Field Recording by Tashi Wada & Julia Holter
Tashi Wada Julia Holter  Photo By Dicky Bahto 1

In May, BOMB asked artists how COVID-19 and quarantine were affecting their creative process. How were they making art now?

Mark McKnight
Mark McKnight, If Water Forgets How To Play Mirror

In Mark McKnight’s photographs, the material of the terrestrial world merges with a celestial aspect. Dark bodies, asphalt, oily birds, decomposing stone, and dimpled flesh all radiate from a field of tarry shadow.

Portfolio by Takashi Arai & Jacob Kirkegaard
120521 Onahama Annular Eclipse

A selection of daguerreotypes, micro-photographs, and film stills by two artists.

Portfolio by Sally Mann
Sally Mann11

Heaps of plenitude.

Portfolio by Eve Fowler
Eve Fowler1

More than.

Portfolio by ​Alejandro Almanza Pereda
1 Apparition

Alejandro Almanza Pereda lives and works between the United States and Mexico. Known for precariously balanced large-scale sculptures that put common objects into unlikely configurations, he exhibits internationally and has had solo shows at the San Francisco Art Institute; Rubin Center, El Paso; El Eco Experimental Museum, Mexico City; College of Wooster Art Museum, Ohio; and Art in General, New York.

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