Interview

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An Individual Is Made of Many Parts: Tschabalala Self Interviewed by Sasha Bonét
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Space shapes bodies; bodies shape space. 

Volatile and Transitory: Babak Lakghomi Interviewed by Zach Davidson
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A novella of warranted paranoia. 

Hypnotic Mythologies: Kaija Saariaho Interviewed by Ivan Talijancic
Only The Sound Remains 10 Credit Ruth Walz

The US premiere of Only the Sound Remains lands at the White Light Festival.

The Inexpressible: Erica Trabold Interviewed by Kristina Tate
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The writer on Swedish Nebraska, the lyric essay, and brevity as a superpower. 

Aspiration and the Deferral of Pleasure: Ilana Harris-Babou Interviewed by Rebecca Schultz
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Rap videos, cooking shows, and housewares catalogues become a source for reparative thinking. 

Gender Dysphoria: Laurence Philomene Interviewed by Clara Lou
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Identities, self-portraits, and fiction.

Surface Information: Lucy Kim Interviewed by Leeza Meksin
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Reimagining the human body.

Canids in Orbit: Kurt Caswell Interviewed by Taylor Larsen
Sputnik Asm

The writer discusses what Laika, the first Soviet space dog, can teach us about companionship and loneliness. 

The Un-Heroic Act: Monika Fabijańska Interviewed by Alissa Valles
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Twenty artists spanning three generations depict rape and its effects. 

The Soil That Things Grew From: Ute Wassermann and Werner Durand Interviewed by Mark Harwood
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The performers recount their experiences with Henning Christiansen and his work.

Threshold Spaces: Saul Melman Interviewed by A.M. Homes
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Life and sculpture as passage. 

Starting with Place: Katerina Gregos Interviewed by Osman Can Yerebakan
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Art in a time of rapid change. 

For Eyes and Ears: Ursula Block Interviewed by Alan Licht
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The founder of gelbe MUSIK, the renowned record store and gallery space, speaks about its history.

Culture and Place: Juanli Carrión Interviewed by Louis Bury
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Creating collaborative, environmental public art.

From Affinity to Twinship: A Conversation by Leah Dieterich & Meg Whiteford
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On writing about performance and relationship paradigms.

Fall Issue: Andrea Fraser and Helen Molesworth
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Delving into public arts funding, resentment of “cultural elites,” and campaign finance, artist and curator discuss 2016 in Museums, Money, and Politics—Fraser’s examination of the intersection of cultural and political patronage.

The Treatment Sounded So Cinematic: Lana Wilson Interviewed by Penny Lane
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The two filmmakers probe the ethics and surprise of documentary.

A Jewish Myth Reimagined as a Vaudeville Dominatrix: Julie Weitz Interviewed by Jennifer Remenchik
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Self-discovery through a performative critique of fascism and bigotry.

Justice as Joy: Lacy M. Johnson Interviewed by Jennifer Baker
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The writer on surviving assault, deepening our standards for justice, and resisting forgiveness as the only way to move through pain.

Full Wack and Tender, Too: Shelley Hirsch Interviewed by Peter Stampfel
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The two musicians converse about their working-class upbringing, the elitism of the avant-garde, and the politics of goofiness.

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