Interview
The art of animation and automatons.
Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”
Hope at the point of despair; doubt at the point of hope.
The novelist on writing multiple women’s voices, creating a world where men are toxic, and the wide range of female dystopian fiction.
The writer on kill bro poems, cyborg transformations as erotic experiences, and implicating the self.
Iñupiaq futures, language, and the spaces between performance and installation.
The sculptor discusses his work and its influences.
The sculptor discusses his work and its influences.
The sculptor discusses his work and its influences.
The artist on voice, intimacy, and the physicality of sound.
The novelist on living in liminal spaces, Los Angeles in the `90s, and using Ponyboy as inspiration.
The mask as multiple levels of embodiment.
The portrait photographer on how he captures the spirit and power of a writer’s work.
The Italian filmmaker on community, verisimilitude, and her latest film, Happy as Lazzaro.
Performance and community.
The writer on working in the porn industry, the theatricality of violence, and the mundanity of capitalism.
The Carnegie International 57th Edition recalls past works and embraces new artists.
The biographer on writing about a complicated artist, with a peopled life.
The New York-based artist discusses collaboration, deskilling, and life after the end of the world.
In echoes and splices of “narrative sonic bites,” Douglas sets her experimental novel, The Marvellous Equations of the Dread, to the dub pulse of Rasta tradition.
