The Carnegie International 57th Edition recalls past works and embraces new artists.
The biographer on writing about a complicated artist, with a peopled life.
The New York-based artist discusses collaboration, deskilling, and life after the end of the world.
In echoes and splices of “narrative sonic bites,” Douglas sets her experimental novel, The Marvellous Equations of the Dread, to the dub pulse of Rasta tradition.
Navajo language, photography, and the shifting landscape of the Southwest guide the poet’s latest collection, Dissolve.
Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.
Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.
On occasion of Sniadecki’s current project, A Shape of Things to Come, the two filmmakers trade insights on “sensorial cinema” and working with reclusive desert-dwelling subjects.
Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.
A photojournalist discusses the stories behind his images of immigration in an age of militarized border enforcement.
The poet on returning to the Philippines, writing about queer identity, and producing a book that is a document of the body.
The art and politics of Korean skin care.
Historical currents reveal cultural trauma and methods of recuperation.
The graphic novelist on conspiracy theories, writing depressed characters, and telling a story for our times.
An art exhibition inspired by a novel.
A multi-screen installation investigates the nature of truth and information.
The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.
The writer of the Poena Damni trilogy on analytic philosophy, polyphonous narrators, and alternate consciousness.
Space shapes bodies; bodies shape space.
A novella of warranted paranoia.