Space shapes bodies; bodies shape space.
A novella of warranted paranoia.
The US premiere of Only the Sound Remains lands at the White Light Festival.
The writer on Swedish Nebraska, the lyric essay, and brevity as a superpower.
Rap videos, cooking shows, and housewares catalogues become a source for reparative thinking.
Identities, self-portraits, and fiction.
Reimagining the human body.
The writer discusses what Laika, the first Soviet space dog, can teach us about companionship and loneliness.
Twenty artists spanning three generations depict rape and its effects.
The performers recount their experiences with Henning Christiansen and his work.
Life and sculpture as passage.
Art in a time of rapid change.
The founder of gelbe MUSIK, the renowned record store and gallery space, speaks about its history.
Creating collaborative, environmental public art.
On writing about performance and relationship paradigms.
Delving into public arts funding, resentment of “cultural elites,” and campaign finance, artist and curator discuss 2016 in Museums, Money, and Politics—Fraser’s examination of the intersection of cultural and political patronage.
The two filmmakers probe the ethics and surprise of documentary.
Self-discovery through a performative critique of fascism and bigotry.
The writer on surviving assault, deepening our standards for justice, and resisting forgiveness as the only way to move through pain.
The two musicians converse about their working-class upbringing, the elitism of the avant-garde, and the politics of goofiness.