Essay
One hundred years later, Hartman revisits W.E.B. Du Bois’s 1920 short story, “The Comet”—”a speculative fiction about the end of the world written after the pandemic of 1918, after the Red Summer of 1919, and in the context of colonial expansion and atrocity.”
One hundred years later, Hartman revisits W.E.B. Du Bois’s 1920 short story, “The Comet”—”a speculative fiction about the end of the world written after the pandemic of 1918, after the Red Summer of 1919, and in the context of colonial expansion and atrocity.”
Re-embracing the full sonic spectrum in the era of binary digital sound.
An artist who treats painting like sculpture.
Looking at contemporary photography within a larger historical legacy.
The New York premiere of Krystian Lupa’s The Trial has been cancelled, as promises of funding from Poland disappeared.
An artist makes ambitious work in the final years of life.
With contributions from Okkyung Lee, Alan Licht, Aakash Mittal, and more.
With contributions from Ottessa Moshfegh, Carl Phillips, Lidia Yuknavitch, Kali Fajardo-Anstine, and more.
With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.
With contributions from Becca Blackwell, Moriah Evans, Kaneza Schaal, and more.
With contributions from Laurie Simmons, Amy Jenkins, Mary Helena Clark, and more.
The computer screen conjures pictorial space, but its apparent depth is paradoxical.
I never made a decision to become a film editor—or, in any case, I didn’t decide upon it at a young age and follow a single career path.
The artist finds inspiration, and space, in Detroit for his sculptural paintings.
On resisting parasitic invasions—from the poisons in our soil, to toxic masculinity in the psyche.
