Theater

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Collective Ownership: Matthew Aucoin and Zack Winokur Interviewed by Arya Roshanian
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The creators of American Modern Opera Company on reinventing classical arts during the pandemic.

Collective Ownership: Matthew Aucoin and Zack Winokur Interviewed by Arya Roshanian
2018 With Care 426 2

The creators of American Modern Opera Company on reinventing classical arts during the pandemic.

Issue #152: Jibz Cameron by Svetlana Kitto
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The performance artist aka Dynasty Handbag recounts her journey from the San Francisco DIY scene to New York’s avant-garde theater world and ultimately to Hollywood.

A New North Star: George Ferrandi’s Jump!Star by Jasmine Dreame Wagner
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Designing public rituals to commemorate the North Star’s eventual transition.

Another Trial without Witnesses by Zbigniew Bzymek
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The New York premiere of Krystian Lupa’s The Trial has been cancelled, as promises of funding from Poland disappeared.

Christiane Jatahy by Jay Scheib
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A radical “mirror game” between film and live performance, What If They Went to Moscow?, part of BAM’s Next Wave Festival, plays for two audiences, one in the theater and one in the cinema—then they switch.

Visceral Improvisation: Poncili Creación Interviewed by Ruby Brunton
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The Puerto Rican punk-DIY performance collective on challenging institutional norms for making theater.

Outstanding, Girl, You Knock Me Out: Ayana Evans and Tsedaye Makonnen Interviewed by Jessica Lanay
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Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.

Looking Back: BOMB on the Past Decade in Performance
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With contributions from Becca Blackwell, Moriah Evans, Kaneza Schaal, and more.

Peter Brook and Marie-Hélène Estienne’s Why? by Maria Litvan
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“I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.”

Anthony Roth Costanzo by Justin Vivian Bond
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A look behind the scenes of Akhnaten, Philip Glass’s 1983 opera now playing at the Metropolitan Opera, in which the countertenor plays an ancient Egyptian pharaoh who defied gender conventions.

Theater as Convergence: Lucas Baisch Interviewed by Vanessa Thill
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On deep listening and language as liberation.

Collective Resistance: Karen-Kaia Livers, Alison Parker, and Dread Scott Interviewed by Bob Snead
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A public art project in New Orleans reenacts a slave revolt.

Improvisation and Ideology: Nat Randall, Anna Breckon, and Alia Shawkat Interviewed by Rachel Stone
Alia Shawkat Carlota Guerrero

The artist, director, and actress discuss their endurance performance, The Second Woman, and its exploration of gender performativity.

Ben Whishaw and Édouard Louis
Norma Jeane Baker Of Troy Sberger 2

The actor stars opposite an opera diva in Norma Jeane Baker of Troy, Anne Carson’s verse play that reflects on the histories of two iconic women millennia apart.

This Broken, Jarring Thing: Enda Walsh Interviewed by Tadhg Hoey
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The Irish playwright on grief, adaptation, and the possibilities of form.

In the Eye of the Beholder: Tori Sampson Interviewed by Aleshea Harris
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The emerging playwright takes on beauty standards and societal expectations.

Changing the Dial: Robert Ashley’s Improvement (Don Leaves Linda) by Alec Mapes-Frances
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A newly reconstructed “opera for television.”

Poetic Wizardry: Dimitris Papaioannou Interviewed by Ivan Talijancic
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The Greek choreographer’s long-awaited North American debut with The Great Tamer.

New Futures: nora chipaumire’s #PUNK 100% POP *N!GGA by Nicole Loeffler-Gladstone
D8 X0057 Credit Ian Douglas

The three-part epic brings to life an adolescence informed by music as a gateway into a powerful, assertive selfhood. 

Looking Back: BOMB Contributors on Performance in 2018
Photo Credit Lee Towndrow

Featuring selections by David Levine, Aki Onda, Ivan Talijancic, Lumi Tan, and more.

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