Discover MFA Programs in Art and Writing
Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…
The artist talks about his film Joan Mitchell: Departures and its relation to Eternalism.
The filmmaker speaks about The Souvenir, class, gender, and the autobiographical.
The pioneering filmmakers discuss morality and dissent in Hara’s highly subjective documentaries: “It takes a toll to discover what binds your heart to the subject.”
The Singaporean filmmaker on migrant labor; visitations; and his recent work, A Land Imagined.
The filmmakers take an unexpected approach to documenting people in the final stage of life.
A forgotten feminist fairy tale and Björk’s big-screen debut, The Juniper Tree, returns.
The artist and documentarian on capturing the vernacular South.
Notions of ecological precarity and technological mediation enfold in the degraded landscape; the video artist surveys her decades of prescient and pressing work.
The filmmaker and photographer discusses the return to her work on Russia’s inmates.
The insurgent Argentine documentarian’s retrospective screens at Anthology Film Archives from February 22 through 28.
The New York-based painter and video artist on the tragicomic nature of wannabes and scenesters.
Jean-Luc Godard’s editor sits down to discuss their latest collaboration, The Image Book.
Invited to examine the human geography of lower Louisiana for the 2017 Prospect New Orleans triennial, Jeff Whetstone set off for the batture, a patch of land that separates the Mississippi from the city’s levee.
From Andrei Tarkovsky to Lucrecia Martel, Peter Hutton to Nathaniel Dorsky, entire aesthetic philosophies, genres, and approaches to filmmaking have been rooted in the elements.
Featuring selections by Sasha Bonét, Lisa Borst, Nicholas Elliott, Mark Harwood, and more.
The Italian filmmaker on community, verisimilitude, and her latest film, Happy as Lazzaro.
On occasion of Sniadecki’s current project, A Shape of Things to Come, the two filmmakers trade insights on “sensorial cinema” and working with reclusive desert-dwelling subjects.
The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.