Film

New York Live Arts presents

Marjani Forte
Nov 15-19


531 Articles
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Dalya’s Other Country: Julia Meltzer Interviewed by Alaa Hassan
Meltzer1

A story of immigration and integration.

Watching Caribbean Cinema by Monica Uszerowicz
Anansi1

Islands of stories.

Kinshasa Sound: An Interview with Félicité’s Alain Gomis by Joseph Pomp
Alain Gomis 3

“A film is always an attempt, nothing more, and that allows for a sort of dialogue.”

Collective Enthusiasm: An Interview with Agnès Varda & JR by Gary M. Kramer
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“We never thought, ‘We have to give them dignity.’ We thought we have to give them empathy.”

Movies and Their Making: New York Film Festival’s Kent Jones by Peter Gizzi
Jones Gizzi

“We choose the films that mean the most to us and offer them and let people react to them and form their own impressions and judgments.”

Eduardo Coutinho’s Man Marked For Death/ Twenty Years Later by Will Noah
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In the early 1960s, Eduardo Coutinho began shooting a film about the murder of Brazilian trade unionist João Pedro Teixeira.

Vesuvius in Your Mind: On Joan Jonas’s Early Films by Mónica Savirón
Joan Jonas Films 01

Uncovering the artist’s innovations and legacies.

Spit It Out: Eliza Hittman’s Beach Rats by Daniel Lefferts
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Sexual panic in South Brooklyn

Cannibal Corpus: The Films of Joaquim Pedro de Andrade by Jon Dieringer
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Cinema Novo, Tropicália, and the tradition of Brazilian literary modernism

Invisible Labors: Rahul Jain’s Machines by Kanishka Raja
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A documentary on the brutality behind India’s textile factories.

National Disintegrations by Braden King
Braden King Freeport 01

Art and exchange in extraterritorial territories

Filming the Unspeakable: The Cinema of Yvonne Rainer by Dana Reinoos
Yvonne Rainer Films 01

Radical feminist films from the legendary choreographer, artist, and dancer

Use the Reality: Alejandro Jodorowsky’s Endless Poetry by Alex Zafiris
Alejandro Jodorowsky Endless Poetry 01

The filmmaker speaks about his self-portrait as a young poet

Laura Poitras’s Risk by Anya Jaremko-Greenwold
Laura Poitras Risk Bomb Magazine 01

Over the course of six years, filmmaker Laura Poitras had unparalleled access to WikiLeaks founder Julian Assange and his closest confidantes. What she captured became Risk, the follow-up to her Oscar-winning Edward Snowden exposé, Citizenfour (2014).

Albert Serra’s The Death of Louis XIV by Clinton Krute
Albert Serra S Louis Xiv Bomb Magazine 01

From deep within Louis XIV’s billowing gray afro—more a cloud than a sun—the once lively eyes of Jean-Pierre Léaud gaze out vacantly. Over the course of Serra’s simultaneously tedious and fascinating film, Léaud’s Sun King drifts and snoozes through his remaining days in a state of almost catatonic nonchalance, occasionally stopping to doff his hat or eat a fig to the great applause of courtiers.

Toshio Masumoto’s Funeral Parade of Roses by Dana Reinoos
Funeral Parade Of Roses 01

A restored masterpiece unmasks Tokyo’s underground gay subculture of the 1960s

TV Personality by Rebecca Cleman
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The legacy of Jaime Davidovich

Portrait of the Artist as a Room by Lynne Sachs
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On Studio: Remembering Chris Marker

The Enigma of Julian Assange by Anya Jaremko-Greenwold
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Risk, a new documentary by Laura Poitras, follows the Wikileaks founder as public perception sours.

The Ruined Map by Steve Macfarlane
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Blunt yet intoxicating, James Gray’s The Lost City of Z betrays its outsize ambitions and pained revisionism with every last scene

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