Film
An elegant portrait of a mother pig.
An elegant portrait of a mother pig.
The filmmaker on her latest work, Terra Femme, made up of amateur travelogues by women in the 1930s–50s.
The author of French Exit on collaborating with Azazel Jacobs in adapting the book to film.
Camilo Restrepo’s debut feature, Los Conductos, traces the wanderings of a wiry mendigo named Pinky, in a sepulchral unnamed city.
Prvački releases three wry videos offering coping strategies for our bleak and awkward new social reality.
The filmmaker on unpacking a forty-year friendship, turning the form on its head, and pizza as a madeleine to a lost city.
Cinematic portraits of the Indonesian lengger dancer and choreographer, Rianto.
The Mosotho filmmaker on oral literature, forced resettlement, and stitching together the old and new.
The filmmakers question the conventions of documentation with work that seeks transparency and authenticity outside of the fiction–nonfiction dichotomy.
For this particularly challenging year, we’ve asked Garrett Bradley, Courtney Stephens, Alex Strada, Ephraim Asili, Nicholas Elliott, Mary Lucier, Tania Cypriano, Alan Licht, and Nina Menkes to tell us what sustained them.
A young Japanese journalist shooting a televised travel program in Uzbekistan confronts her deepest fears and hidden aspirations.
Artavazd Pelechian’s Nature is not about the end of the world, but you could be forgiven for thinking otherwise.
TV shows and films about alternate dimensions or alien planets are only convincing when paired with sounds that also seem otherworldly.
Celebrating little-known stories of Black pride and resilience in London’s West Indian community.
The artist embraces revision, contradiction, and fallibility in a culture that prizes singular genius.
On the murder of a performance artist set out to heal a war-torn world.
On her new film, Aggie, the reimagining of art, and the urgency of justice.
In an American era of death and decline, where does Byrne see the path to utopia?
On his debut film, The Inheritance, which weaves together histories of the MOVE organization, the Black Arts Movement, and his own time in a Black Marxist collective.
The filmmaker on visibility, connection, and dialogue.