I never made a decision to become a film editor—or, in any case, I didn’t decide upon it at a young age and follow a single career path.
The two Chinese-born filmmakers reflect on Wang’s new documentary One Child Nation and her unique approach to blending the personal and political.
Jim Henson’s Netflix prequel is a masterpiece of puppetry filled with allusions to our contemporary moment.
A film about departures, the kind without return.
A 1950s queer cinema staple has been restored.
The filmmaker discusses his resurgent work still/here and the examination of landscape and history through the lens of race.
Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…
The artist talks about his film Joan Mitchell: Departures and its relation to Eternalism.
The filmmaker speaks about The Souvenir, class, gender, and the autobiographical.
The pioneering filmmakers discuss morality and dissent in Hara’s highly subjective documentaries: “It takes a toll to discover what binds your heart to the subject.”
The Singaporean filmmaker on migrant labor; visitations; and his recent work, A Land Imagined.
The filmmakers take an unexpected approach to documenting people in the final stage of life.
A forgotten feminist fairy tale and Björk’s big-screen debut, The Juniper Tree, returns.
The artist and documentarian on capturing the vernacular South.
Notions of ecological precarity and technological mediation enfold in the degraded landscape; the video artist surveys her decades of prescient and pressing work.
The filmmaker and photographer discusses the return to her work on Russia’s inmates.
The insurgent Argentine documentarian’s retrospective screens at Anthology Film Archives from February 22 through 28.
The New York-based painter and video artist on the tragicomic nature of wannabes and scenesters.
Jean-Luc Godard’s editor sits down to discuss their latest collaboration, The Image Book.