Dance

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Revisiting History: Yvonne Rainer, Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others Reviewed by Rachel Valinsky
Yvonne Rainer Cover

A collection of texts by and about the groundbreaking choreographer and filmmaker.

Revisiting History: Yvonne Rainer, Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others Reviewed by Rachel Valinsky
Yvonne Rainer Cover

A collection of texts by and about the groundbreaking choreographer and filmmaker.

Intuition Is Bodily: Caitlin Adams Interviewed by Simona Blat
Caitlin Adams METALBODY rehearsal process at Gibney Dance NYC, 2020. Photo by Sheridan Telford

Integrating psychology and spirituality with choreographic practice.

Netta Yerushalmy by Jack Halberstam
Netta Ddt 2018Hheron 122

Paramodernities juxtaposes scholarly texts with movement, deconstructing iconic dances by Ailey, Balanchine, Cunningham, Fosse, Graham, and Nijinsky.

Vastness, Loneliness, and Abandonment: Bill T. Jones Interviewed by Nicole Loeffler-Gladstone
Bill-T-Jones-Deep-Blue-Sea-The-Armory-Bomb-Magazine-1

Themes of race and abandonment in Bill T. Jones’s Deep Blue Sea become all the more relevant.

Kickin’ It: Jennifer Harge Interviewed by Taylor Aldridge
Dam Jennifer Perormance 4

The dance artist and choreographer discusses her praxis of fellowship and pleasure.

Music Made Visible: Anne Teresa De Keersmaeker Interviewed by Ivan Talijancic
Mitten De Munt Anne Van Aerschot 22

The North American debut of Belgian choreographer’s work set to Johann Sebastian Bach’s cello suites.

Working Through Yourself: Kia LaBeija Interviewed by Nina Chanel Abney
The Spiral Hi Res Small

The artist, activist, and voguer on her Bauhaus-inspired performance for the Performa 19 Biennial.

Traversing a Life Through Movement, Text, and Film: Germaine Acogny Interviewed by Nicole Loeffler-Gladstone
Thomas Dorn 2

The “mother of African contemporary dance” discusses her solo, multimedia performance SOMEWHERE AT THE BEGINNING.

Embodied Presence: Isabel Lewis Interviewed by Brooke Holmes
By Laura Fioro

Honing sensory experience and collective mindfulness.

Conversations with No Words: Michael Trusnovec Interviewed by Bibi Deitz
Michael Trusnovec Bomb Magazine 2019

The twenty-one-year veteran of Paul Taylor Dance Company on creating access for young dancers.

Ligia Lewis by Catherine Damman
23263 C Julien Barbe S Ligia Waterwill

The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.

Reverse, Retrograde, Splice: Pam Tanowitz Interviewed by Rachel Stone
Sara Kerens Pt 8102

The choreographer explores movement through the vocabulary of others.

Jessica Grindstaff of Phantom Limb by Sophie Hunter
Falling546 Copy

The final part of a performance trilogy on climate change, Falling Out fuses puppetry, Butoh, and Flex, to reflect on the Fukushima Daiichi nuclear disaster.

A Concept Within the Body: Andrea Miller Interviewed by Rachel Stone
Joyce 2019 Photo Credit  Ben Stamper 2

The choreographer on the site of the body, nonhuman temporalities, and translating research to the stage.

Divining the Boundaries of Light: Emily Johnson Interviewed by Ivan Talijancic
Emily Johnson1

Performance and community. 

And Then There is Using Everything: Boris Charmatz’s 10000 Gestures by Rachel Valinsky
10000 Gestures 2018 Skirball C Chloe Mossessian 6

The choreographer presents a cascading index of form.

Does Abstraction Belong to White People? by Miguel Gutierrez
Movement Study Abstract

Thinking the politics of race in contemporary dance. 

Atmospheric Entanglement: Jamila Johnson-Small’s i ride in colour and soft focus, no longer anywhere by Jenn Joy
02 Carlos Jimenez And Katarzyna Perlak

The choreographer explodes memory and explores the multiple.

Studio Visit: Madeline Hollander by Mikkel Rosengaard
Hollander1

Visually notating dance.

Simone Forti by Tashi Wada​
45 Forti Molimo Copy

On the release of Al Di Là, a collection of her sound works, Forti guides us through her decades-long practice of observation, intuition, and kinaesthetic awareness.

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