Available Light returns to New York.
The choreographer on exhaustion and revival.
Previewing a public performance on the Bronx River.
A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.
Alvin Ailey’s Jamar Roberts on pain, joy, and choreographing to John Coltrane.
Dance as a political confrontation and a place of dreams.
A choreographer and a visual artist imagine ways of inhabiting civic spaces.
Dance as secular and sacred devotion.
The art and science of the costume.
Tracing the lineage of feminism and social justice in postmodern dance.
“It’s about creating the conditions for a moment.”
A feminist paean from one Polish artist to another
The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.
Choreographer Kim Brandt strips away excess in her search for a “body of bodies.”
An interest in disobedient bodies notwithstanding, for Moriah Evans dance emerges through rigorous choreographic structures. Her most recent piece, Social Dance, was presented at ISSUE Project Room earlier this year.
A conditional archive or A score
for the past and future of
LIVING ROOM INDEX AND POOL
The choreographer on his early work with Merce Cunningham and collaborations with visual artists.
A love letter composed from a scaffold. Isn’t this the way we live now?