Art

Discover MFA Programs in Art and Writing

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The Body and Its Image: Janice Guy by Matthew J. Abrams
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The revealing/concealing nature of self-portraiture. 

Studio Visit: Maria Baranova by Alexandra Nicolaides
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Intimate portraits of performers. 

Text as Texture: Judd Morrissey and Abraham Avnisan Interviewed by Theadora Walsh
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A geo-spatial experience of text and poetics.

Issue #146: from Return to the Yakne Chitto by Monique Verdin & Raymond Jackson
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From Return to the Yakne Chitto: Houma Migrations (Neighborhood Story Project, University of New Orleans Press, 2019), a collaborative ethnography of Houma lifeways at the ends of the Louisiana bayou.

Art and Ecology: Mariel Villeré and Dylan Gauthier Interviewed by Louis Bury
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From landfill to park and artist residency program.

One Piece: The Great Salt by Jace Clayton
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The artist talks about sound art and the historical record.

Wild Relatives: Jumana Manna Interviewed by Hakim Bishara
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Tracing the history of a region through its seeds. 

The Complications of Being Human: Savannah Knoop Interviewed by Clifford Owens
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Community in a bathhouse.

The Feeling of the Everyday: Byron Kim’s “Sunday Paintings” by Wallace Ludel
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Sometimes the sky is enough.

Halfway Between Real and Unreal: Claudia Hart Interviewed by Sean Capone
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The art of animation and automatons.

Fellowships and Residencies Winter 2019
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Our quarterly roundup of fellowships, residencies, and prizes. 

Issue #146: Jaque Fragua and Brad Kahlhamer
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Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”

The Turning Look: T. J. Clark Interviewed by Ryan Meehan
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Hope at the point of despair; doubt at the point of hope.

Ancestor from the Future: Allison Akootchook Warden Interviewed by Katherine Brewer Ball
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Iñupiaq futures, language, and the spaces between performance and installation. 

The Continuity of Substances: Jonathan Silver Interviewed (Part 3) by Michael Brenson
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The sculptor discusses his work and its influences.

CHERRY RIVER, Where the Rivers Mix by Katherine Cooper
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It’s rare that as a writer I am left speechless by a performance. Writing becomes like swimming for the first time: relearning how to breathe. What can abandonment by words afford a writer besides drowning? Perhaps a lesson in listening. 

The Polynesian Voyaging Society’s Hikianalia Journey to California by Julian Brave NoiseCat
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On August 16, the Hikianalia, a seventy-two-foot dual-hulled Polynesian voyaging canoe from Hawaii set out across the Pacific for California, powered by the winds, tides, two solar-charged propellers (for emergencies), and a thirteen-person crew.

The Continuity of Substances: Jonathan Silver Interviewed (Part 2) by Michael Brenson
2 Jonathan Silver1

The sculptor discusses his work and its influences. 

The Continuity of Substances: Jonathan Silver Interviewed (Part 1) by Michael Brenson
1 Jonathan Silver1

The sculptor discusses his work and its influences.

Nature’s Nation: American Art and Environment by Louis Bury
Natures Nation1

An exhibition looks at historical conceptions of nature in the United States. 

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