Art

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Agency and Transcendence: Naudline Pierre Interviewed by Amelia Rina
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A painter seeks to expand the world’s visual library.

An Unavoidable Gaze: Amy Sherald: “the heart of the matter…” Reviewed by Re’al Christian
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Portraits that capture the everyday.

Fellowships and Residencies Fall 2019
​ ReActor

Our quarterly roundup of fellowships, residencies, and prizes accepting applications.

The Space of Intimacy: Daniel Wiener Interviewed by Fawn Krieger
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Painting and sculpting faces.

Contingent Encounter: Sreshta Rit Premnath Interviewed by Sohrab Mohebbi
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Reminding us the artwork does not exist in a void.

Work As Gift: Sean Sullivan Interviewed by Paul Maziar
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Honoring the art-making process.

Merging With: Leidy Churchman Interviewed by Tausif Noor
Leidy Churchman

On mystifying moments big and small.

Portfolio by Eve Fowler
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More than.

Betsy Sussler on the Oral History Project
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If artists are not given the time and space to tell their own story, others will do it for them.

Self and Community: Billy Gerard Frank Interviewed by Katy Diamond Hamer
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Exploring Grenada’s past and present.

Offering a World: Garry Winogrand: Color Reviewed by Gideon Jacobs
Garry Winogrand1

Photography’s mess.

The Task of the Publisher: Lucas Zwirner Interviewed by Addis Goldman
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The Head of Content at David Zwirner discusses art books, design, and a new Romanticism.

Oral History Project: Janet Olivia Henry & Sana Musasama
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“When you’re an artist, you bring what you know, what you think, what you’ve experienced, your aesthetic, your ambition, and it doesn’t have to be conscious. In fact it shouldn’t be self-conscious. If the work isn’t speaking to you, if you’re not getting it from what you’re seeing, you’ve failed, and no amount of explanation is going to change that.” —Janet Olivia Henry


“Making our art is the purest thing we do. There are no hidden lies. My work is my truth as I have lived it.”—Sana Musasama


Studio Visit: Sumie García by Brian Harkin
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Sewing through photographs.

Antifascist Medicine Machine by Elektra KB
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Portfolio by ​Alejandro Almanza Pereda
1 Apparition

Alejandro Almanza Pereda lives and works between the United States and Mexico. Known for precariously balanced large-scale sculptures that put common objects into unlikely configurations, he exhibits internationally and has had solo shows at the San Francisco Art Institute; Rubin Center, El Paso; El Eco Experimental Museum, Mexico City; College of Wooster Art Museum, Ohio; and Art in General, New York.

Venkatachalam Saravanan by Amit Dutta

An international chess master and a filmmaker play a match while discussing the art of the game and its history in India.

Mary Weatherford by Hamza Walker
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The blues, sports, lessons from Dave Van Ronk, and the legacy of “triumphal American painting” are among the stimuli for Weatherford’s large-scale abstract works.

Reimagined Objects: Jean Shin Interviewed by Louis Bury
Jean Shin1

Sculpture as communal.

Portfolio by Collier Schorr
Collier Schorr1

Fickle bodies and the comfort of images.

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