Wheatpasting portraits on the Navajo Nation.
Interrogating the whiteness of the user interface.
Photography at the intersection of the historical and the prosaic.
These drawings are from a series of 210 on view at the Graham Foundation in Chicago as part of Torkwase Dyson and the Wynter-Wells School through July 28, 2018.
A retrospective by the groundbreaking conceptual artist.
Introducing a new quarterly roundup of fellowships, residencies, and more currently accepting applications.
Building a possible portrait of Chelsea Manning from DNA.
“I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.”—Swoon
Blending objects with performance.
On the eve of Signs of Empire, his current show at the New Museum, the British artist and filmmaker elaborates on how philosophy and the history of cinema have influenced his practice.
Photographs that make you look twice.
A historical survey of figurative sculpture.
The artists discuss painting landscapes, from transient rays of moonlight to the immensity of environmental changes.
Layering histories and identity.
Asking the question, “Why are we like this?”
An exhibition catalogue for Ellen Rothenberg’s elsetime.
A painter opens his studio.
Part of the Theory + Practice series.
An immersive video installation at the Whitney.