Art

3030 Articles
Sorted by
Ree Morton: The Plant That Heals May Also Poison by Olivia Gauthier
Ree Morton1

Rediscovering a “maverick” female artist from the ’70s

Experiencing a Museum Through Its Past: Liz Park Interviewed by Scott Turri
Ci Kerry James Marshall

The Carnegie International 57th Edition recalls past works and embraces new artists. 

Black, Feminist, Spiritual, and Alive: Cauleen Smith’s Give It or Leave It by Jareh Das
Cauleen Smith 1

Cauleen Smith tangles the past with figures from African American histories, Afrofuturism, Radical Jazz, and alternative futures.

Can a Painting Not Have Fun?: Caitlin Cherry Interviewed by Zoe Dubno
Two Factor Authentication Installation2

The New York-based artist discusses collaboration, deskilling, and life after the end of the world.

Issue #145:  МОЙ СЕРПУХОВ / My Serpukhov by Victoria Lomasko
01 Landscape

A bilingual excerpt from the Russian graphic journalist’s forthcoming memoir on her hometown of Serpukhov (translated by Bela Shayevich), exploring post-Soviet space and the closure of the village’s state printing press

End Page by ​Kameelah Janan Rasheed
2 40X50 1 Sintra Copy
Portfolio by Alejandro Luperca Morales
2  Desaparecen Detenido 1 2

In 2010, Mexican artist Alejandro Luperca Morales began rubber-erasing human remains out of the frequent crime-scene reports published by P.M., his local Juarez newspaper. Often behind police barricade tape, these ghostly voids resemble eddies of dust, bald patches of earth, or gauzy shrouds illuminated from within. Over the past eight years, Morales has collected a significant archive, performing this gesture on more than 500 images.

Las Nietas de Nonó by Pepón Osorio
Bb10 Las Nietas De Nono 30

Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.

Issue #145: Ann Hamilton and Audra Wolowiec
The Theater Is A Blank Page 078 Cmyk

Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.

Marcos Castro and Baris Gokturk by Sabine Russ
08

Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.

Studio Visit: Sydney Shen by Danni Shen
Sydney Shen1

An artist’s index of the strange.

Rona Pondick Works: 2013–2018 by Jessica Holmes
Rona Pondick1

Sculptures that depict the body’s predicament. 

Flesh and Ghosts: Tiffany Jaeyeon Shin Interviewed by Eunsong Kim
Tiffany Shin1

The art and politics of Korean skin care.

Water as Memory and Dreams: Jamilah Sabur Interviewed by Monica Uszerowicz
Sabur 1

Historical currents reveal cultural trauma and methods of recuperation.

Acrostics and Erotics: Kevin Killian Interviewed by John Neff
Kevin Killian1

An art exhibition inspired by a novel.

Faith and Technology: Joey Holder Interviewed by Caroline Elbaor
Joey Holder1

A multi-screen installation investigates the nature of truth and information.

The Faceless Plant: Sketch for Timothy Morton by Heidi Norton
An Individual Is Made of Many Parts: Tschabalala Self Interviewed by Sasha Bonét
Tschabalala Self1

Space shapes bodies; bodies shape space. 

The Centre for Emotional Materiality by Roula Seikaly
Centre For Emotional Materiality 1

What role does technology play in helping or hindering our wellbeing?

Problematic Critiques of Sexism in Pop Culture by Sheila Regan
2 Cwynar

How do you discuss misogyny in a society saturated with it?

No more results to load.
Nothing found—try broadening your search.