Art

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Drawing with Light: Photographic Modernism in Our Postmodern Dystopia by Gideon Jacobs
Child, Daniel Arnold, 1:21:33, Larrie Gallery, NYC, 2019

Looking at contemporary photography within a larger historical legacy.

Issue #151:Mark McKnight
Mark McKnight, If Water Forgets How To Play Mirror

In Mark McKnight’s photographs, the material of the terrestrial world merges with a celestial aspect. Dark bodies, asphalt, oily birds, decomposing stone, and dimpled flesh all radiate from a field of tarry shadow.

Strangeness and Beauty: Dear Climate (Una Chaudhuri, Oliver Kellhammer, and Marina Zurkow) Interviewed by Louis Bury
Dear Climate: Signs, Wonders, Blunders, 2019-20

A unique approach to environmental art.

Performing a Cup: Lars Voltz Interviewed by Ryan Tucker
Lars Voltz, Pedestal Cup

Considering contemporary ceramics.

BOMB 39th GALA
Gala Image For Site

Celebrating our community together when the time is right.

Beyond Nostalgia: Sido Lansari Interviewed by MK Harb
Sido Lansari, Les Derniers paradis, 2019

Using film and embroidery to tell new stories.

A Room with a View: Featuring authors Rebecca Dinerstein Knight and Julie Buntin
James Ivory, A Room with a View, 1985

“Choose a place where you won’t do harm - yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine.”

― E.M. Forster, A Room with a View

Closing the Distance: New Spaces for Community
Closing The Distance Updated

BOMB’s ongoing list of online tools, workshops, and livestreams to keep you company and engaged in the time of COVID-19.

Potential Symbols: Sacha Ingber Interviewed by Hallie McNeill
Sacha Ingber, Conspiracy of Mass, 2020

Merging image and object.

COVID-19 Artist Resources
Jean Jacques Rousseau, Eight of Hearts

A list of vital resources for artists, writers, musicians, and performers.

Issue #151: Charles Atlas by Erica Getto
Charles Atlas, Turning, 2012, Connie Flemming

Since the ’70s, the filmmaker, video artist, and pioneer of “media dance” has recorded exceptional bodies in motion—dancers, drag queens, and punk musicians.

The Freedom to Develop What Is Necessary: Maria Thereza Alves Interviewed by Richard William Hill
Maria Thereza Alves, Seeds of Change, New York, A Botany of Colonization, 2017

Documenting a cross-cultural politics and aesthetics.

Anonymous Critic: Robert Sietsema Interviewed by Michael Blair
Restaurant Critics, Key Group Worldwide

The post-punk-turned-food-critic on New York City’s varied cuisine.

Christine Miller and Brittany Vega: American Hex Reviewed by Amelia Rina
Horrible Moral Squint II American Hex Brittany Vega

Acknowledging the past in order to construct a better future.

Investigating Site: Corin Hewitt Interviewed by Joshua Simon
Corin Hewitt1

Installations that explore their larger contexts.

Restaging Family: Natalie Krick Interviewed by Kim Beil
Natalie Krick1

Photographs addressing gender, sexuality, and popular culture.

Bruce Pearson by Charles Bernstein
Pearson A Fresh Pair Of Eyes 2019

The poet offers a series of keywords—performance, psychedelia, melting—to the painter, framing the complex play between text and image in Pearson’s intricate panels.

Portfolio by Takashi Arai & Jacob Kirkegaard
120521 Onahama Annular Eclipse

A selection of daguerreotypes, micro-photographs, and film stills by two artists.

Portfolio by Sally Mann
Sally Mann11

Heaps of plenitude.

Jacolby Satterwhite by Sean Capone
191007 Pw 006

The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.

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