Thom Donovan

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Jibade-Khalil Huffman’s STANZA by Thom Donovan
Jibade Khalil Huffman 01

In Killer of Sheep, Charles Burnett’s 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from it.

Renée Green’s Other Planes of There by Thom Donovan
Renee Green

Renée Green’s collection, Other Planes of There, which spans over twenty years of the artist’s career, holds an alluring sense of return for me, offering a kind of fossil record of an evolving debate among progressive artists and cultural critics.

David Brazil, Jackqueline Frost, & Evan Kennedy by Thom Donovan
David Brazil, Jackqueline Frost, & Evan Kennedy by Thom Donovan
Ulrike Müller’s Herstory Inventory: 100 Feminist Drawings by 100 Artists by Thom Donovan
Eds Herstory

There are numerous pleasures in encountering Herstory Inventory, a project initiated and organized by the artist Ulrike Müller, not least of which include a collection of 100 drawings by artists whom I love and admire.

Enframing the Brink: Fuck the Police and Fuck the Avant Garde Too, Part IV by Brandon Brown & Thom Donovan
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Thom Donovan and Brandon Brown dive deep into the realms of literary theory and leftist politics in their epistolary exchange. They continue their conversation in the fourth of four exchanges.

Enframing the Brink: Part III by Brandon Brown & Thom Donovan
Baudelaire

Thom Donovan and Brandon Brown dive deep into the realms of literary theory and leftist politics in their epistolary exchange. They continue their conversation in the third of several dialogues.

Enframing the Brink: Fuck the Police and Fuck the Avant Garde Too, Part II by Brandon Brown & Thom Donovan
Cat

Thom Donovan and Brandon Brown continue to dive deep into the realms of literary theory and leftist politics in their epistolary exchange. In the second of several dialogues, they delve into the archive of the unknown.

Enframing the Brink: Fuck the Police and Fuck the Avant-Garde Too, Part I by Thom Donovan & Brandon Brown
Duo

Thom Donovan and Brandon Brown promise to dive deep into the realms of literary theory and leftist politics in their epistolary exchange. In this first of several dialogues, they share mutual adoration and opening provocations.

The New Us by Thom Donovan

This First Proof contains five poems by Thom Donovan.

Adam Pendleton by Thom Donovan
Adam Pendleton 01

Pendleton, whose new work is on view now at Pace Gallery, discusses the connection between civil protest and live art with poet Thom Donovan.

Melanie Crean: How To Do Things With Words by Thom Donovan
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Language is a source and form of action, and anything but secure as seen in the recent WikiLeaks cables. Thom Donovan further explores the radicality of speech, in all its potential protest with his essay on Melanie Crean’s exhibition How To Do Things With Words.

PERFORMA09 Week 2 Round Up by Thom Donovan
Performa week 2

Alexandre Singh’s “The Alkahest,” Omer Fast’s “Talk Show,” Shana Moulton’s “Erratic Anthropologies,” and Tan Lin’s “Chalk Playground”/”LitTwitChalk”

Robert Fitterman and Vanessa Place’s Notes On Conceptualisms by Thom Donovan
Robertfitterman1 Body

Robert Fitterman and Vanessa Place’s book Notes On Conceptualisms is one of the first books to take on the term “conceptualism” in relation to recent practices in contemporary poetry, offering a preliminary textbook on the subject.

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