Blunt yet intoxicating, James Gray’s The Lost City of Z betrays its outsize ambitions and pained revisionism with every last scene
“I don’t want to continue making movies this way.”
“I’m not thinking about the market. I’m thinking about what I want to say.”
“I’m always dipping myself into our stuff and seeing what color I turn.”
The director of Advantageous on technology, childhood, and the market forces that shape family relations.
Cinematic choreography and the art of showing, not telling.
Casanova, Dracula, and art in the age of digital filmmaking.
Québécois filmmaker Denis Côté on filmic revenge, horror, and making a film in seven days.