Stanley Moss

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Tamara Shopsin’s LaserWriter II by Stanley Moss
Cover art from LaserWriter II by Tamara Shopsin

Illustrator and memoirist Tamara Shopsin’s debut novel is set in TekServe, the iconic Mac repair shop of the 1990s, and is populated by geeks, celebrity cameos, and anthropomorphized machine parts.

Tamara Shopsin’s LaserWriter II by Stanley Moss
Cover art from LaserWriter II by Tamara Shopsin

Illustrator and memoirist Tamara Shopsin’s debut novel is set in TekServe, the iconic Mac repair shop of the 1990s, and is populated by geeks, celebrity cameos, and anthropomorphized machine parts.

Remembering: Wolf Kahn by Stanley Moss
Wolf Kahn 02

A singular presence in American painting for the past four decades, Kahn is famously obscure.

Janwillem van de Wetering by Stanley Moss
Wetering 01 Body

After an eight year hiatus, the Zen Amsterdam cop returns in van de Wetering’s The Hollow-Eyed Angel. Painter and writer Stanley Moss talks to the former monk/patrolman about the unconventional crime and the unconventional solution.

John Leguizamo by Stanley Moss
Leguizamo 03 Body

“Things are changing, and I think Hispanic people are making it change, and I’m going to do my best to make it change, you know? Not just sit back and wait for things to happen, ‘cause they’re not going to happen by themselves.”

James Wines by Stanley Moss
Article 1407  Wines 01

“The only way to deconstruct an idea or a viewpoint is to start with some kind of archetype, then you invade it with different readings.” James Wines

Phil Hartman by Stanley Moss
Phil Hartman photographed live from the television screen by the author.

Phil Hartman made his name as a regular cast member on Saturday Night Livewhere, from 1986 to 1994, he created a number of classic characters such as the Unfrozen Caveman Lawyer. Writer and Artist Stanley Moss sat down with Hartman in 1991.

Dr. John by Stanley Moss
Dr. John in 1990 at Cafe Rakel. Photo by Mark Leet.

Dr. John speaks with long-time listener Stanley Moss about his musical roots, colorful past and his career goals, including film scores and collaborative work.

Blue Man Group by Stanley Moss

Blue Man Group, three individuals making one collective whole, delves into their sociopolitical reasoning for using Cap’n Crunch cereal as a musical instrument.

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