Stan Brakhage

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Radical Collectivity: Ephraim Asili Interviewed by Chrissie Iles
A black man writes "Long Live John Africa!" on a chalk board in a red-colored room. Other people and a painting with red faces can be seen behind him.

On his debut film, The Inheritance, which weaves together histories of the MOVE organization, the Black Arts Movement, and his own time in a Black Marxist collective.

Radical Collectivity: Ephraim Asili Interviewed by Chrissie Iles
A black man writes "Long Live John Africa!" on a chalk board in a red-colored room. Other people and a painting with red faces can be seen behind him.

On his debut film, The Inheritance, which weaves together histories of the MOVE organization, the Black Arts Movement, and his own time in a Black Marxist collective.

Kazuo Hara by Ken Jacobs
Hara Extreme 00037

The pioneering filmmakers discuss morality and dissent in Hara’s highly subjective documentaries: “It takes a toll to discover what binds your heart to the subject.”

Rest in Paradise, Jonas Mekas by Marianne Shaneen
Portrait By Boris Lehman
John Akomfrah by Shezad Dawood
Transfigured Night A Copy

On the eve of Signs of Empire, his current show at the New Museum, the British artist and filmmaker elaborates on how philosophy and the history of cinema have influenced his practice. 

Metaphors on Vision by Stan Brakhage
Brakhage 2

A letter from Brakhage to the poet Robert Kelly describing his work on the groundbreaking film Mothlight.

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