Stan Brakhage
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On his debut film, The Inheritance, which weaves together histories of the MOVE organization, the Black Arts Movement, and his own time in a Black Marxist collective.

The pioneering filmmakers discuss morality and dissent in Hara’s highly subjective documentaries: “It takes a toll to discover what binds your heart to the subject.”

On the eve of Signs of Empire, his current show at the New Museum, the British artist and filmmaker elaborates on how philosophy and the history of cinema have influenced his practice.
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