Monica Uszerowicz

Jim Henson’s Netflix prequel is a masterpiece of puppetry filled with allusions to our contemporary moment.

Historical currents reveal cultural trauma and methods of recuperation.

An art exhibition responds to a psychoanalytic text.

The Pérez Art Museum Miami director talks about local and global communities. 

A long-lost recording resurfaces. 

Alvin Ailey’s Jamar Roberts on pain, joy, and choreographing to John Coltrane.

Dance as a political confrontation and a place of dreams.

When I was young, my mother told me that when she was a fetus in her mother’s womb, her own body already contained the egg that would one day be fertilized and become me. It’s an image akin to an infinite-loop motif—a Droste-effect woman in a woman in a woman

“Resistance and change often begin in art.”

Summoning the spirits.

The complexity of categories.

Two current installations share their stories and vulnerability. 

Islands of stories.