Monica Uszerowicz
Learning from clay; returning to the land.
Learning from clay; returning to the land.
Embracing simultaneity between traditional lineages and contemporary media.
Jim Henson’s Netflix prequel is a masterpiece of puppetry filled with allusions to our contemporary moment.
Historical currents reveal cultural trauma and methods of recuperation.
An art exhibition responds to a psychoanalytic text.
The Pérez Art Museum Miami director talks about local and global communities.
A long-lost recording resurfaces.
Alvin Ailey’s Jamar Roberts on pain, joy, and choreographing to John Coltrane.
Dance as a political confrontation and a place of dreams.
When I was young, my mother told me that when she was a fetus in her mother’s womb, her own body already contained the egg that would one day be fertilized and become me. It’s an image akin to an infinite-loop motif—a Droste-effect woman in a woman in a woman
“Resistance and change often begin in art.”
Summoning the spirits.
The complexity of categories.
Two current installations share their stories and vulnerability.
