The post-punk-turned-food-critic on New York City’s varied cuisine.

Two friends flee from a band of vengeful hunters in the 1820s Northwest and dream of striking it rich.

“You could dance to it, mourn with it, revel in it, or march alongside it.”

The artist and documentarian on capturing the vernacular South. 

Huddled in front of a suite of bulletin boards filled with military charts, folding his fingers over papers as if they were slices of pizza, licking his lips, jowls quivering—this is Senator Joseph McCarthy as he appeared live on ABC in 1954 as part of the 36-day, 188-hour televised extravaganza that would come to be known as the Army-McCarthy Hearings. He’s berating a colonel, insinuating that “phony charts” have been submitted to the floor of the Senate. “The television audience,” he yells, “they are the jury in this case.”

The experimental guitarist talks patterns, resonance, and her latest album. 

A rediscovered milestone in independent black cinema.

Yep, here I am to tell y’all about YEAH—YEAH being YEAH the magazine, that turpentine “tonic in type for young and old,” mimeographed between 1961 and 1965 by Fugs founder, poet, and anarcho-sociologist of the Lower East Side Tuli Kupferberg.

Featuring selections by Jem Cohen, Keith Connolly, Britton Powell, Alan Courtis, Byron Westbrook, and more.

The book reopens questions about appropriation, intellectual property, and colonialism that followed Sun City Girls throughout their career, and also situates these questions within an increasingly globalized and digitized twenty-first century.

A musical that argues against itself, posing more questions than it could ever attempt to answer.