The writer on the space between poetry and prose, how fighting is like dancing, and the resonant symbolism of the idiophone.
Eucalyptus leaves stir, a slow
tremble outside the automobile
Sussman’s remarkable new film, whiteonwhite:algorithmicnoir is an sci-fi narrative that constantly re-edits itself. The filmmaker talks to poet Yankelvich about outdated notions of the future, Malevich and Kazakh deserts.