Mattilda Bernstein Sycamore
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Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture
The writer on seeking queer lineage, public sex as collective defiance, and autobiography as accumulation.
A bipolar teen on her journey from self-immolation to self-actualization.
The real-time making of an artist.
Sex as ecstasy and trap.
The author discusses Black feminist breathing, academia as access point, and writing three books that came from the same decision.
Writing personal and generational trauma.
Chris Kraus and Douglas A. Martin conjure the iconoclastic author.
Jessica Hoffmann and Peter Cochrane discuss Mattilda Bernstein Sycamore’s new memoir The End of San Francisco.
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