Mary Heilmann
Featuring selections by Corina Copp, Max Galyon, Patricia Spears Jones, S.D. Chrostowska, Karl Holmqvist, Phillip Lopate, Mary Simpson, and more.
Featuring selections by Corina Copp, Max Galyon, Patricia Spears Jones, S.D. Chrostowska, Karl Holmqvist, Phillip Lopate, Mary Simpson, and more.
Betsy Sussler reports on Mary Heilmann’ Two-Lane Blacktop show at 303 Gallery in February ’09.
I first visited Joanne Greenbaum’s studio about ten years ago because Cady Noland told me that I might like her work
Mary Heilmann’s life’s work has stretched across two coasts and three generations, from Berkeley’s hippies to New York’s ’70s bohemia to the yuppified ’90s.
An exhibition of the work of Susan Rothenberg, one time proto-punk and current mistress of the iconography of angst, will occur at the Stedelijk Museum in Amsterdam this fall.
The stigma currently upon abstract painting is such that it must either be deserved, or, as some argue, proof that abstraction was a century-long anomaly in the course of modern art, and exhausted.
