Marjorie Welish

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The Raveled Line: Remembering John Ashbery by Marjorie Welish
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Read remembrances from Charles Bernstein, Emily Skillings, Andrew Durbin, and others.

Fall Books Preview
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New titles and reissues highlighted by Justin Taylor, Chelsea Hodson, Paul La Farge, Emmalea Russo, Alexandra Kleeman, Ted Dodson, Dan Sheehan, Kristen Radtke, Daniel Saldaña París, Marjorie Welish, Tobias Carroll, Jonathan Lee, Scott Esposito, and Lauren LeBlanc

Sound Over Sense by Marjorie Welish
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Syntactical adventure and rolling ruminations in Clark Coolidge: Selected Poems 1962–1985

Shadow Selves by Frances Richard
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Palimpsests and invocation in Marjorie Welish’s So What So That

Two Poems and Two Paintings by Marjorie Welish

Valiant folding screens doubling back to distinguish COMPLETE from COMPLETED
strike at anthology’s information and friends, countless EXHAUST in debt to EXHAUSTIVENESS

Joe Fyfe by Marjorie Welish
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Marjorie Welish on the work of Joe Fyfe.

Dieter Roth: Roth Time by Marjorie Welish
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If there is any one thing that distinguishes Dieter Roth’s anarchic dadaist assemblages from all else that has come on the scene since, it is that their inflection of a radical practice is coextensive with Roth’s own life.

Architectures of Gender, Sculpture Center, New York by Marjorie Welish

Sixteen Polish installation artists take on the titular theme of Architectures of Gender in varied ways, from confronting viewers with oversized statistics to transforming Bauhaus design principles into a utopic living room.

Guillermo Kuitca by Marjorie Welish
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Marjorie Welish explores the theoretical implications of Guillermo Kuitca’s large-scale paintings of imagined CD covers for his favorite recordings of Wagner’s Ring Cycle.

Stephen Antonakos’s Proscenium by Marjorie Welish

The Neuberger Museum of Art is immediately memorable, if for no other reason than the galleries are singularly broad and deep: proportion and scale of this acclaimed modernist space are eloquent, not overbearing. 

Stefan Gritsch by Marjorie Welish
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Jasper Johns by Marjorie Welish
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Racing thoughts: Artist and poet Marjorie Welish speaks to the legendary painter on the eve of his Fall 1996 retrospective at the Museum of Modern Art.

Poem and Painting by Marjorie Welish
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Regrettably, you put it near me

Lawrence Weiner by Marjorie Welish
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Weiner, whose work is currently on view at Beyer Projects, discusses the imperatives of need in language, in life and in getting the job done with the poet Marjorie Welish.

Word Into Image by Marjorie Welish
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“I don’t believe in progress in art. Prehistoric art can’t be beat! Sophistication isn’t progress. It’s just that now there’s a realization and an analysis on our part.”

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