Judith Linhares
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Award-winning novelist Madison Smartt Bell instigates an epistolary exchange with painter Judith Linhares on dream theory and Emily Dickinson.

What the viewer first sees in Newman’s Skywriting (2000) is the entire field of canvas, its fluid and unrushed strokes creating an effect both laconic and lively.
The artist as romantic outsider has been a staple of the popular imagination for much of the 20th-century. Debora Silverman’s new book, Van Gogh and Gauguin: The Search for Sacred Art puts into context these well known 19th-century artists, while restoring a sense of dignity to their individual pursuits.
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