John Haskell

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Dance of the Self: On John Haskell’s The Complete Ballet by Will Harrison
Nijinsky Illustration

Noir, Balanchine, and an escape from the conventional novel.

Suzanne Bocanegra by John Haskell
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By casting actors to perform as herself, Bocanegra considers “the nature of presentation itself.” Lili Taylor stars in her Farmhouse/Whorehouse at BAM’s Next Wave Festival this December.

Caroline Woolard by John Haskell
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Artists generally fall into two groups: the makers (of objects) and doers (of activities). They survive, more or less, on the largesse of the art world. 

David Shapiro by John Haskell
David Shapiro 3 Bomb Body

 David Shapiro, whose show Money Is No Object was on view at the Sue Scott Gallery this spring, has created a group of vellum scrolls on which he has placed the bills and receipts and ticket stubs he’s collected over the course of a year. 

Big Dance Theater by John Haskell
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“Dancing has the possibility of being a luminous, protean, and versatile element, and an element of the subconscious—if you get out of the way—and just dance.”

American Purgatorio by John Haskell

When I say that desire breeds hope, what I mean is that desire contains within itself the seed of its possible attainment.

Amy Cutler by John Haskell
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Part of our attraction to art is its ability to engage our imagination, and Amy Cutler’s highly detailed, yet carefully ambiguous portrayals of women do just that. 

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