In her paintings, videos, and installations, Ganesh plays with the distinction between art object and artifact, myth and history, to posit alternative, emancipatory futures.
Uncovering the artist’s innovations and legacies.
During a train ride from New York to Massachusetts, Rosa Barba and Joan Jonas exchanged thoughts on volcanoes, deserts, and poetry, on film versus video, and the layering of time and place in their works.
Jonas’s language gives us a fertile semiological value to reflect upon. It has an organic open-work structure of experimentation that necessitates play along with a system of signs. Its mythology offers a visual image of a new Gestalt.