Jessica Lanay

Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.

A video work documents wolves and the Wolf Clan.

Painting that works with politics and abstraction.

Making and not making art.

The artists discuss a specially commissioned sculpture for the Carnegie International.

Radically imagined safe spaces for black queerness.

Art of enslavement and escape.

A retrospective by the groundbreaking conceptual artist.

“All the pieces … are an attempt to unite my mind again, to mend the rupture.”—Howardena Pindell

“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”

“The mill is a metaphor for all of us.”