Two artists manifest, claim, and demand space in a society that operates around violence against black women’s bodies while pretending that they don’t exist.
A video work documents wolves and the Wolf Clan.
Painting that works with politics and abstraction.
Making and not making art.
The artists discuss a specially commissioned sculpture for the Carnegie International.
Radically imagined safe spaces for black queerness.
Art of enslavement and escape.
A retrospective by the groundbreaking conceptual artist.
“All the pieces … are an attempt to unite my mind again, to mend the rupture.”—Howardena Pindell
“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”
“The mill is a metaphor for all of us.”