Hilton Als
Capaurisces (pronounced “kuh-pour-i-ces”)—a combination of a far-flung galaxy made of “99.99 percent dark matter” and an artist colony in New Hampshire—is the unlikely setting for Daaimah Mubashshir’s The Immeasurable Want of Light, a collection of short plays recently published in book form as part of the playwright’s ongoing project Everyday Afroplay. Beginning in 2016, Mubashshir developed a daily writing practice in response to Chris Ofili’s Afro Muses painting series, offering a sustained meditation on Blackness and the Black body.
Capaurisces (pronounced “kuh-pour-i-ces”)—a combination of a far-flung galaxy made of “99.99 percent dark matter” and an artist colony in New Hampshire—is the unlikely setting for Daaimah Mubashshir’s The Immeasurable Want of Light, a collection of short plays recently published in book form as part of the playwright’s ongoing project Everyday Afroplay. Beginning in 2016, Mubashshir developed a daily writing practice in response to Chris Ofili’s Afro Muses painting series, offering a sustained meditation on Blackness and the Black body.
I must confess, initially I was somewhat resistant to Rickie Lee Jones’s new album, Ghostyhead.
I will never forget the first time I had one of those “moments” with Hilton Als. It was years ago, and we were younger of course, and I was bringing in some measly article to the Village Voice and there was Hilton, laying out pictures and watching everything.
In her photographic work, Judy Linn records the ineffable.
I should like so much to begin with an idea, would you mind?
A mixed media collage of photographs and text, titled Minority Pin-Ups, by Hilton Als and Darryl Turner. Photo sources: Melodie McDaniels and others.
