The Blindfold Test’s protagonist Jeff Parker is permanently stalled.
“The one thing you can rely on in any situation is that the feelings you’re going to have are not the ones you think you’re supposed to have.”
Wong Kar-wai’s films are kooky, cool and without being sappy, utterly romantic. The enfant terrible of Hong Kong cinema talks with playwright Han Ong about why he puts in what others leave out.
“I’ve said I write plays because I love black people. I just figured it out fairly recently. Not that I had any other reason before that, but I realized why I want black people on stage—because I love them. And it probably sounds very vague, but it’s true.” Suzan Lori Parks