David Seidner

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David Seidner (1957–1999) by Betsy Sussler
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I’m not sure when I first met David, at some point when we were both new to New York, I think.

Richard Serra by David Seidner
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Photographer David Seidner talks to the master of sculpture, Richard Serra, whose work continues to be honored and comprehensively exhibited throughout the decades.

Jean-Paul Gaultier by David Seidner
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He is the consummate media junkie, overflowing with pop references, a veritable lexicon of trivia and kitsch.

Mats Gustavson by David Seidner
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Profile and portfolio of Mats Gustavson by David Seidner.

Javier Vallhonrat by David Seidner
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A profile and portfolio of Javier Vallhonrat by David Seidner.

Mondino by David Seidner
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Profile and portfolio on Mondino by David Seidner.

Cristobal Balenciaga by David Seidner
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Duane Michals by David Seidner
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Duane Michals moves beyond representation and reproduction in his photography, and instead “writes” with his art. He explains the importance of constantly redefining the medium to fellow photographer David Seidner.

Lisa Fonssagrives-Penn by David Seidner
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Fashion icon Lisa Fonssagrives-Penn discusses her long artistic career as a dancer, model, photographer, designer, and sculptor.

Two Photographs by David Seidner
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Jene Highstein by David Seidner
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David Seidner describes the spatially-aware sculptures of Jene Highstein as “awesome yet inviting somehow: shapes that beckon to caress, that speak of intimacy, be they the size of a fist, or a ten ton piece of polished black granite.”

478 by David Seidner
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The character of this tale is called “Legacy.” 

Joan Tewkesbury by David Seidner
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Joan Tewkesbury and I met this summer in Los Angeles: Immediately I was struck by the kinky combination of elements that work in rapid fire in this woman’s brain.

Paul Bowles by David Seidner
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Novelist, translator and editor Paul Bowles tells David Seidner about his literary career and life, spanning the greater part of the 20th century: working with Tennessee Williams, moments with Gertrude Stein, and a distaste for Wagner.

Sonia Delaunay by David Seidner
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Sonia Delaunay took an early, perhaps the earliest jump into non-objectivity where color elicited form. Her work serves swift proof of a tenacious intensity with which she threw herself into her art, her life.

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