Clinton Krute

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Albert Serra’s The Death of Louis XIV by Clinton Krute
Albert Serra S Louis Xiv Bomb Magazine 01

From deep within Louis XIV’s billowing gray afro—more a cloud than a sun—the once lively eyes of Jean-Pierre Léaud gaze out vacantly. Over the course of Serra’s simultaneously tedious and fascinating film, Léaud’s Sun King drifts and snoozes through his remaining days in a state of almost catatonic nonchalance, occasionally stopping to doff his hat or eat a fig to the great applause of courtiers.

Terry Allen by Clinton Krute
Allen Bomb 2

“Making music work to the lyric, and making the lyric work to the note.”

Trees, Grass, & Collectivist Rock by Clinton Krute
Träd, Gräs och Stenar 01

Träd, Gräs och Stenar and the democratizing power of the riff.

Andrew Blauvelt’s Hippie Modernism: The Struggle for Utopia by Clinton Krute
Hippie Modernism Bomb 02

What began as an art project with the overt purpose of confronting and confounding “straight” society ended up as something resembling a pro football game for people on psychedelics, and nearly as profitable.

Alasdair Roberts by Clinton Krute
Alasdair Roberts 01 Bomb 132

The Glasgow-based singer just released a self-titled album of music rooted in and pushing Scottish folk traditions. With Krute, he touches on individuation, syncretism, and the risks of nationalism.

Joshua Abrams & Nathan Bowles by Clinton Krute
Abrams Bowles 1

Memory, texture, and tradition.

Looking Back at 2014 #5
Looking Back Cyan

Selections by Deana Lawson, C. Spencer Yeh, Andrew Bourne, Orit Gat, Clinton Krute, and Brian Evenson.

Numero Group’s Music from the Mountain Provinces by Clinton Krute
Bomb130 Numerogroup

The allure of “ethnomusicological” records is, for me, only partially derived from their exoticism. 

David Kilgour & Robert Scott by Clinton Krute
The Clean

The Clean, The Heavy Eights, The Bats, and smoking hash with Alex Chilton.

Bill Orcutt’s Gerty Loves Pussy by Clinton Krute
Eds Orcutt

Composed of the first line of every review on the first four pages of a google search return for “Bill Orcutt, review,” accessed on Wednesday, February 4, 2014.

Matías Piñeiro by Clinton Krute
Todos mienten

Matías Piñeiro makes intricate films that play with literature, history and language. His Shakespearean Viola opens on July 12 at the Film Society of Lincoln Center alongside a retrospective of his films.

Cheap Fun by Clinton Krute
Le Pont Du Nord 12 Body

Jacques Rivette’s Le Pont du Nord and Bob Byington’s Somebody Up There Likes Me are abstract in different ways, but for the same reason: lack of funds.

Sensations’ Fix’s Music Is Painting in the Air (1974–1977) by Clinton Krute
Sensations  Fix 1

Sensations’ Fix has been in need of some attention for a while now.

Studio Visit: Bjorn Copeland

Watch a BOMB Extra Video with artist Bjorn Copeland, whose band Black Dice has a new album, Mr. Impossible, out now.

The Day He Arrives by Clinton Krute
Hong Sang-soo 01

Clinton Krute peers into the inscrutable world of filmmaker Hong Sang-soo, exploring the puzzles of The Day He Arrives.

Attenberg by Clinton Krute
Attenberg 01

In Attenberg, filmmaker Athina Rachel Tsangari tells the story of a young woman’s coming-of-age while highlighting the political situation in Greece and the age-old clash between our human and animal instincts.

Foxtrot Echo Lima Tango: A Fanzine about Felt & Co. by Clinton Krute
Felt 01

In homage to ’80s cult band Felt, artists Christian Flamm and Mike Sperlinger crafted an encompassing, investigative fanzine of a book.

Merry Christmas, Mr. Lawrence by Clinton Krute
Merry Christmas Mr Lawrence 01

The vast rewards offered by the films of Nagisa Oshima, exemplified by the strange, unclassifiable Merry Christmas, Mr. Lawrence, are just beginning to be appreciated in America.

Endless Boogie’s Full House Head by Clinton Krute
Endless Boogie 01

Full House Head presents mind-numbingly blissful tracks, and uses repeated riffs to create a long, loud, monolithic album.

Elizabeth Streb: Behind the Scenes

“Elizabeth Streb is one of the most daring thinkers and performers I have ever known.” -A.M.Homes

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