Chris Kraus

Writer and vocalist Keckler performs impersonations of obscure larger-than-life personalities he meets. In her first novel, Laing impersonates Kathy Acker.

Myriam Gurba’s Mean is the latest in a tear of recent autofiction (including Rachel Cusk’s Transit and Barbara Browning’s The Gift) that employ the genre to showcase the complications of modern women’s lives.

Featuring selections by Justin Taylor, Shelly Oria, Mary Walling Blackburn, Kevin Killian, Barry Schwabsky, John Freeman, and more.

Chris Kraus and Douglas A. Martin conjure the iconoclastic author.

John Giorno’s influence as a cultural impresario, philanthropist, activist, hero, and éminence grise stretches so widely and across so many generations that one can almost forget that he is primarily a poet.

Leigh Ledare’s projects involve interpersonal triangulations in which the camera plays a crucial role and all parties, viewers included, are implicated. Upon A.R.T. Press’s publication of a book-length dialogue between him and Rhea Anastas, Ledare revisits recent works with novelist Chris Kraus.

Selections by Chris Kraus, Alan Licht, and Kelly Copper.

Chris Kraus on the notions of “real life” and freedom in her new novel Summer of Hate.