Chantal Mcstay
Beading images of deadly viruses and bacteria into enticing designs, Cuthand makes visible Indigenous communities’ exposure to disease from first colonial contact to today.
Beading images of deadly viruses and bacteria into enticing designs, Cuthand makes visible Indigenous communities’ exposure to disease from first colonial contact to today.
The oil barrels Ourahmane shipped from Algeria to the UK became the first artwork legally exported from her home country since 1962. Her practice engages escape and displacement narratives.
From a tragic shipwreck to an epic, collective political art project.
Featuring selections by Jaime Manrique, David Grubbs, Molly Surno, Lynn Melnick, Lucio Pozzi, and more.
There’s never been a richer time for graphic novels in all their genre-bending permutations: memoirs and literary adaptations, documentaries and short-form collections, histories and abstract pieces.
“A lot of times I end up turning on the camera on my computer and playing something out, and pausing it and seeing what tonal or emotional nuances are there that I can work with.”
The crisply constructed short stories for which David Means has become renowned are high and tight. His new—and first—novel, Hystopia, is something shaggier, departing, in its theoretical approach, from the New Yorker School of Fiction for the emerging field of narrative medicine, in which testimonies of trauma are inherently wooly and chaotic rather than refined and concise.
