Anya Jaremko-Greenwold

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Laura Poitras’s Risk by Anya Jaremko-Greenwold
Laura Poitras Risk Bomb Magazine 01

Over the course of six years, filmmaker Laura Poitras had unparalleled access to WikiLeaks founder Julian Assange and his closest confidantes. What she captured became Risk, the follow-up to her Oscar-winning Edward Snowden exposé, Citizenfour (2014).

The Enigma of Julian Assange by Anya Jaremko-Greenwold
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Risk, a new documentary by Laura Poitras, follows the Wikileaks founder as public perception sours.

Arnaud Desplechin by Anya Jaremko-Greenwold
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“I wanted to build the script as if we were entering into a brain or a memory, where you have separate elements existing in the same time and you don’t understand the logic.”

Brian Oakes by Anya Jaremko-Greenwold
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“If you can’t go to church, and the only way you can pray, or connect to your god, is through another process, then that becomes the thing you do.”

Bob Mankoff by Anya Jaremko-Greenwold
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“Humor teaches us that you can be a good person but also have bad thoughts.”

Lisa Immordino Vreeland by Anya Jaremko-Greenwold
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“She wasn’t loved, so she didn’t know how to give love.”

Alex Ross Perry by Anya Jaremko-Greenwold
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“This is not a movie that invites you to really empathize with these characters, nor is that the point.”

Debra Granik by Anya Jaremko-Greenwold
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“I never could’ve predicted that these burly men clad in leather and chains, riding these metal ponies, could be that wracked by stuff and live with actual ghosts.”

Nick Broomfield by Anya Jaremko-Greenwold
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“When you make these films you need to work very closely with people from the community. You’re only as good as your relationship with them.”

Kornél Mundruczó by Anya Jaremko-Greenwold
Kornel Mundruczo 1

Wild dogs, revolution, and humanism.

Johanna Hamilton by Anya Jaremko-Greenwold
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Surveillance, J. Edgar Hoover, and effective activism.

Daniel Dencik & Michael Haslund by Anya Jaremko-Greenwold
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Melting glaciers, Metallica, and the Arctic.

Richard Ayoade by Anya Jaremko-Greenwold
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Doppelgangers, Dostoyevsky and the importance of timelessness.

Matt Wolf by Anya Jaremko-Greenwold
Matt Wolf

Wolf, whose new film Teenage is out now, on the invention of the teenager and how our obsession with nostalgia may be helping our innovation.

Jessica Oreck by Anya Jaremko-Greenwold
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Jessica Oreck discusses the rewards and challenges of working in sub-zero temperatures for her new film Aatsinki: the Story of Arctic Cowboys.

Penny Lane by Anya Jaremko-Greenwold
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Filmmaker Penny Lane on divisive personalities, collateral consequences, and the question of Nixon’s presidency as aberration in her new film, Our Nixon.

Shane Carruth by Anya Jaremko-Greenwold
Upstream Color 1

Writer and director Shane Carruth talks about his latest film Upstream Color, Walden, and an integrated filmmaking process.

Skirting the Abyss: Werner Herzog by Anya Jaremko-Greenwold
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Anya Jeremko-Greenwold enters the cold, calculating, and instinct-driven world of Werner Herzog at a roundtable discussion of his recent Into the Abyss.

Anne Sewitsky by Anya Jaremko-Greenwold
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Anya Jaremko-Greenwold peeks into the mind of director Anne Sewitsky, whose new film Happy, Happy, is out now.

The Interrupters by Anya Jaremko-Greenwold
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Anya Jaremko-Greenwold talks to director Steve James about his new documentary The Interrupters.

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