“The records I don’t listen to are as important as the ones I do.”
Selections by Kate Valk, Andrew Lampert, Tan Lin, Mary-Ann Monforton, and Ryan Chapman.
When I began to read Andrew Lampert’s introduction to The George Kuchar Reader, the anxieties, fears, and dim career outlook I have often experienced, eased.
Sabrina Gschwandtner discusses editing, deterioration, and “women’s work” in her series of quilts constructed from old film.
As someone who regularly buys unknown books because of their curious and enticing covers, the first thing I noticed about this publication is that it lacks an image.
Boston-based filmmaker Luther Price makes consciousness-puncturing works that, viewed once, may never be seen again.
One of the highlights of the generous and sprawling Views from the Avant-Garde section at the recent New York Film Festival was when the dreaded low-battery warning appeared on screen amid intense flickering white light at the start of Jessie Stead’s latest video.