If the soul and the ego were objects we could look at, the soul would be a translucent heart beating.
—
George Condo
Untitled Shroud by Tom Holmes
- Amy Sillman by R. H. Quaytman
- Ben Rivers by Coleen Fitzgibbon
- Paulo Bruscky by Antonio Sergio Bessa
- Steve Roden and Stephen Vitiello
- Gonçalo M. Tavares by Pedro Sena Nunes
- Rodrigo Rey Rosa by Francisco Goldman
- Julia Holter by Ben Vida
- My Barbarian by Andrea Fraser
Interviews
- Sarah Charlesworth, 1947 - 2013 by Betsy Sussler
- Picturing the Unsayable: Carl E. Hazlewood by Patricia Spears Jones
- Operation Massacre by Ellie Robins
- Between Artists: Thom Andersen / William E. Jones by Andrew Lampert
- Lynda Benglis: Beyond Process by Stuart Horodner
- Beyond This Point Are Monsters by Alexandra Gauss
- Savage Coast by Stefanie Sobelle
- Anfang Gut. Alles Gut. Actualization of the Futurist Opera Victory Over the Sun 1913 by Veronika Vogler
Editor's Choice
- Ben Durham by Christopher Stackhouse
- Florian Hecker by Ben Vida
- Miyoshi Barosh by Annetta Kapon
Artists on Artists
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
Related
It is difficult to make work about joy. Eva Lundsager’s watercolors (articulated with sumi ink) manage to do it, capturing, as she describes them, acts of “hysterical ecstasy.”
The artist discusses his approach to drawing and color.
The paintings in HumidGray and ShadowLake evoke synesthetic colors, remembered landscapes, and the physical performance inherent in marking a canvas.
Originally published in
BOMB 125,
Fall 2013
Featuring interviews with Amy Sillman, Paulo Bruscky, Steve Roden and Stephen Vitiello, Gonçalo M. Tavares, Rodrigo Rey Rosa, Ben Rivers, Julia Holter, and My Barbarian.
