Discover MFA Programs in Art and Writing
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
Untitled Shroud, 2010/2013, inkjet print on paper, 18 1/4 × 10 1/4 inches. Courtesy of the artist and Bureau, New York.
It is difficult to make work about joy. Eva Lundsager’s watercolors (articulated with sumi ink) manage to do it, capturing, as she describes them, acts of “hysterical ecstasy.”
The artist discusses his approach to drawing and color.
Originally published in
Featuring interviews with Amy Sillman, Paulo Bruscky, Steve Roden and Stephen Vitiello, Gonçalo M. Tavares, Rodrigo Rey Rosa, Ben Rivers, Julia Holter, and My Barbarian.
Work that is just about the technical or conceptual, personal or political, is fine; it meets the world with what’s in fashion. But there’s something else bordering on magic, that brings an artwork home, makes it land and resonate. You can’t really teach that so much as conjure it.
Kara Walker
