Untitled Painting by Betsy Berne

BOMB 4 Fall 1982
004 Summer Fall 1982

Discover MFA Programs in Art and Writing

4 Betsyberne Body

Betsy Berne, Untitled, 1982, oil on canvas. Courtesy of Nature Morte.

Charline Von Heyl by Shirley Kaneda
Charline Von Heyl 1
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Sitting with Discomfort: Christina Quarles Interviewed by Jareh Das
A colorful swirl of female bodies in a mix of figuration and abstraction titled,  For a Flaw / For a Fall / For the End, Christina Quarles

Paintings and installations that unfix the body.

Mel Kendrick by Kiki Smith
Woodblock Carving Studio Image

Kendrick owns five chainsaws and calls his radical sculptural interventions a form of “anti-carpentry,” but he’s ultimately invested in revealing and repairing forms, thereby discovering new dimensions of wholeness.

The Ongoing Present Moment of Making: Jule Korneffel Interviewed by Hannah Bruckmüller
Blue yellow and red circles at the bottom of a pink painting titled, Honey Sugar Pop, by Jule Korneffel

Mark-making as internal landscaping.

Originally published in

BOMB 4, Fall 1982

Georgia Marsh, Paul Bowles, Michael McClard, Olivier Mosset & Fred Brathwaite, and Duncan Hannah. Cover by Mary Heilmann.

Read the issue
004 Summer Fall 1982