Lynn McCarty, Untitled for BOMB, 1994, acrylic, 13 × 24 inches.
Paintings that embody a love of materials.
The painter looks back on five decades of experimentation and how that’s generated new levels of confidence and clarity in her art.
Alphabets are limited; it’s the arrangement of letters that produces meaning.
Originally published in
Featuring interviews with Kiki Smith, Arthur Miller, Steve Malkmus, Jayne Anne Phillips, Tom Noonan, Fiona Rae, John Edgar Wideman, Frank Pugliese, Diamanda Galas & John Paul Jones, and David Bowes.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
