Untitled Drawing by Jim Kopp

BOMB 9 Spring 1984
009 Spring Summer 1984
Bomb 9 Kopp 001 Body

Jim Kopp, Untitled, 1983, spray paint and pencil on paper.

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To witness the vulgar, Zap Comix–inspired panorama in Manuel DeLanda’s 1979 film ISM ISM—its blubbering testicle-breasts and segmented-plumber’s-pipe phallus scrawled in marker on the tiled walls of a Manhattan subway station, just to start—is to share in the brief, bewildering encounter a commuter may have had with street art before the soap and cleaning brushes arrived.

Brandan “Bmike” Odums by Zachary Lazar
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After Hurricane Katrina, Brandan “Bmike” Odums realized that the graffiti he and other artists were making in the abandoned buildings around New Orleans had an inherent political value, not just because of the subject matter (though Odums himself had always had an affinity for depicting civil-rights icons) but also because creating art in those depopulated spaces foregrounded their meaning, calling attention to what they had once been, what they had been allowed to become, and why.

Originally published in

BOMB 9, Spring 1984

Nicolas Echevarria, Pam Yates, art by James Nares and Tom Otterness, writing by Daisy Zamora, Kathy Acker, Glenn O’Brien, and more.

Read the issue
009 Spring Summer 1984