Discover MFA Programs in Art and Writing
Li Trincere, 1991, black-and-white drawing, 12 × 12 inches. Courtesy Berland Hall Gallery.
Casseine on canvas over wood, titled Ohne Titel (Totem), by Blinky Palermo, 1964. Part of the Köln portfolio.
“Every time you remember something, it’s not like you’re being teleported to the past—you’re actually physically experiencing it in the present.”
Originally published in
Featuring interviews with Vito Acconci, James Merrill, Mira Nair, John Leguizamo, John Wesley Harding, Jill Eisenstadt, Chuck Connelly, Jane Alexander, Amos Poe, Alan Uglow, Mary Shultz, Joachim Ernst Berendt, and Ann Hui.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
