Discover MFA Programs in Art and Writing
Li Trincere, 1991, black-and-white drawing, 12 × 12 inches. Courtesy Berland Hall Gallery.
Casseine on canvas over wood, titled Ohne Titel (Totem), by Blinky Palermo, 1964. Part of the Köln portfolio.
“Every time you remember something, it’s not like you’re being teleported to the past—you’re actually physically experiencing it in the present.”
Originally published in
Featuring interviews with Vito Acconci, James Merrill, Mira Nair, John Leguizamo, John Wesley Harding, Jill Eisenstadt, Chuck Connelly, Jane Alexander, Amos Poe, Alan Uglow, Mary Shultz, Joachim Ernst Berendt, and Ann Hui.
We need our own space to think and digest what we see. And we also have to trust the viewer and trust the power of the object. And the power is in simple things. I like the kind of clarity that that brings to thought. It keeps thought from being opaque.
Felix Gonzalez-Torres
