But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
—
Nari Ward
Daniel Mahoney, Untitled Cardboard Drawing, 1986, Japanese ink on paper, 7½ × 11½ inches.
Originally published in
Martin Amis, Gretchen Bender by Cindy Sherman, Charles Henri Ford, and Roland Joffé.
But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward