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Sherrie Levine, Untitled (after Alexander Rodchenko: 4), 1987, 20 × 16 inches. Courtesy Mary Boone Gallery.
Sherrie Levine, Untitled (after Alexander Rodchenko: 4), 1987, 20 × 16 inches. Courtesy Mary Boone Gallery.
Originally published in
James Rosenquist, Julian Barnes by Patrick McGrath, Diane Kurys, Richard Greenberg, and Jeremy Gilbert-Rolfe.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
