My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
—
Yayoi Kusama
Untitled (After Alexander Rodchenko 4) by Sherrie Levine
- Julian Barnes by Patrick McGrath
- James Rosenquist by Mary Ann Staniszewsk
- Richard Greenberg by Craig Gholson
- Diane Kurys by Bette Gordon
- Jeremy Gilbert-Rolfe by David Shapiro
- In Her Own Voice by Saul Ostrow
Interviews
- Return to Sender by Klaus Kertess
- The Colorist by Susan Daitch
- Executrix by Barry Yourgrau
- Five Poems by Charles Culhane
- A Poem in Two Homes by Eileen Myles
- Borrowed Times by Gary Indiana
- The Hilt by Gordon Lish
First Proof
- Lovers by Adam Fuss
- Mont Sainte Victoire by Mark Tansey
- Inventory by Suzan Etkin
- The Telescope with its lenses had swallowed the stars by Fariba Hajamadi
- Artistic Anatomy by Tyler Turkle
- Two Paintings by Meyer Vaisman
- Dystopia by Orshi Drozdik
- New York Collections Preview: Spring/Summer 1988 by Zachy Sherif
- Two Works by Philip Galgiani
- Site of the First Self-sustaining Controlled Nuclear Chain Reaction December 2, 1942; Chicago, Illinois by James Welling
- Matisse and Laura Ashley Border by Jane Kaplowitz
- Untitled (After Alexander Rodchenko 4) by Sherrie Levine
More
Discover MFA Programs in Art and Writing
Sherrie Levine, Untitled (after Alexander Rodchenko: 4), 1987, 20 × 16 inches. Courtesy Mary Boone Gallery.
Sherrie Levine, Untitled (after Alexander Rodchenko: 4), 1987, 20 × 16 inches. Courtesy Mary Boone Gallery.
Related
Originally published in
BOMB 21,
Fall 1987
James Rosenquist, Julian Barnes by Patrick McGrath, Diane Kurys, Richard Greenberg, and Jeremy Gilbert-Rolfe.
