Discover MFA Programs in Art and Writing
This First Proof contains an untitled ink and watercolor drawing, from Pierced Hearts and True Love: A Century of Drawings for Tattoos At the Drawing Center. For copyright reasons this content is available in print only. To check on availability and buy this issue, click here.
My favorites are the ones you see, but I have a lot you don’t see unless I’m naked. And I’m not going to get naked now. I’m too embarrassed with you.
Painted on Yupo paper with water-soluble crayon, watercolor pencil, water brush, paper towel, and Q-tip.
The filmmaker and photographer discusses the return to her work on Russia’s inmates.
Originally published in
Featuring interviews with Jo Baer, June Jordan, Kelly Reichardt, Abel Ferrara, Catherine Murphy, Mac Wellman, Lucie Brock-Broido, Wayne Wang, and Roy Hargrove.
We need our own space to think and digest what we see. And we also have to trust the viewer and trust the power of the object. And the power is in simple things. I like the kind of clarity that that brings to thought. It keeps thought from being opaque.
Felix Gonzalez-Torres
