Where on the spectrum of loyalty and betrayal does song begin? And where does it end? I think each writer has to decide this over and over.
—
Sharon Olds
Untitled by Julian Lethbridge
- Three Painters: April Gornik, Freya Hansell, and Susan Rothenberg by Betsy Sussler
- Paul Auster by Joseph Mallia
- Black-Eyed Susan by Kate Simon
- Jeanne-Pierre Gorin by Lynne Tillman
- The Round Table Project: Part I by Saul Ostrow
Interviews
- Precious In His Sight by M. E. Hughes
- Marlene by Mariarosa Sclauzero
- Family by Brad Gooch
- Horse Crazy by Gary Indiana
- Raucous Sun by Geneviève Letarte
First Proof
- The Zulu (European Version) by Robin Collyer
- The Statues by Andy Patton
- Toxic Imaging by Betty Beaumont
- Proper Fit by Nancy Johnson
- Blade Study by Philip Taaffe
- Untitled Drawing by Claudia Hart
- Not Being Born by Ross Bleckner
- Study for Axon by David Row
- Tableau with Beast & Pillars by Bernie Miller
- Taj by Tim Zuck
- Excerpts from a Description of the Universe by Tom Dean
- Canuck Canuck Who’s There (Toronto) by David Craven
- Leg of Mutton by Tony Scherman
- Two Pespectives by JoAnne Tod
- Four Sculptures by Wade Saunders
- Bad Faith-Yellow and Bad Faith-Blue by Will Gorlitz
- Untitled by Julian Lethbridge
- Two Works by Willy Heeks
- Untitled Sculpture (My Arms are Ready to Embrace the Universe with Love) by Ken Lum
- Untitled Painting by Al Taylor
- Fashion by José Arman-Pita
- Pines by Louisa Chase
- Condo by Alan Belcher
More
Julian Lethbridge, Untitled, 1988, acrylic, graphite and ink on paper, 20¼ × 28 inches.
Related
Two paintings, titled The Rules of Engagement and Dispensation by Richard Kalina.
Two untitled ink drawings by Jeanne Hedstrom.
Originally published in
BOMB 23,
Spring 1988
Paul Auster by Joseph Mallia, Black-Eyed Susan, Jeanne-Pierre Gorin, April Gornik, Freya Hansell & Susan Rothenberg.
