Raymond Pettibon, Untitled, 1988, ink on paper, 17½ × 11¼ inches. Courtesy of Feature Gallery.
Sanded, ink on paper work of a figure holding onto a galloping horse, Black Slipping by Peter Drake.
Originally published in
Featuring interviews with Nan Goldin, Elizabeth LeCompte, Robert Duvall, P.M. Dawn, Jane Wilson, Louis Edwards, Craig Coleman, James Chance, Hal Hartley, and Constance Congdon.
Let me tell you first about what it was like being a Black woman poet in the ‘60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply indivisible as a Black lesbian and feminist.
Audre Lorde
