The black figure has always been a subject of entertainment in popular culture, as well as an image to sell things. In some ways, that’s how people relate to us—because they’ve seen us on television.
—
Derrick Adams
- Edward Said by Phillip Lopate
- Margaret Cezair-Thompson by Randall Kenan
- Laurie Anderson by Clifford Ross
- Peggy Shaw by Craig Lucas
- Judy Pfaff by Mimi Thompson
- Carlo Ginzburg by Archie Rand
- Raymond Pettibon by Grady T. Turner
- Errol Morris by Margot Livesey
Interviews
- Erwin Pfrang by Carroll Dunham
- Mala Iqbal: Figure Becomes Landscape by Roberto Juarez
- Melissa Marks by Betsy Sussler
- David Seidner (1957–1999) by Betsy Sussler
Artists on Artists
- Field Trips by Stuart Dybek
- Untitled by José Guadalupe Posada
- Writing Class, Inpatient Psychiatry, Adolescent Unit by Belle Waring
- Women’s Pantomime by Ben Marcus
- Fragments and Poems From the Ancient Greek by Brooks Haxton
- The Right to Rave by Eduardo Galeano
- The Duration of Hell by Jorge Luis Borges
- Thirteen Poems by Lydia Davis
- Firefly by Rebecca Wolff
First Proof
- Macy Gray’s On How Life Is by Rone Shavers
- Television’s The Blow-Up by David Krasnow
- Mike Marqusee’s Redemption Song by Lawrence Chua
- Lucy Ellman’s Man or Mango? by Minna Proctor
- Maggie Estep’s Soft Maniacs by Suzan Sheman
- Melissa Monroe’s Machine Language by Thomas Bolt
- Mark Jude Poirier’s Naked Pueblo by Jenifer Berman
- Mayra Montero’s The Messenger by Betsy Sussler
- Spike Jonze’s Being John Malkovich by Nic Roman
- Mark Illseley’s Happy, Texas by Lynn Geller
- Romance by Liza Béar
- The Acid House by Joshua Wolf Shenk
- Lyle Starr by Nicole Burdette
- Bruce Altshuler’s The Avant-Garde in Exhibition: New Art in the 20th Century by Saul Ostrow
Editor's Choice
José Guadalupe Posada, woodcut.
Related
Lucy Skaer might be hiding a time machine.
The Library of America, doing what it does best, offers six of Ward’s groundbreaking woodcut novels from the 1930s in a beautifully printed two-volume set.
Mimi Thompson on how Sheila Berger’s paintings manage to brilliantly evoke emotions, places and times.
Originally published in
BOMB 69,
Fall 1999
Featuring interviews with Errol Morris, Peggy Shaw, Laurie Anderson, Carlo Ginzburg, Raymond Pettibon, Judy Pfaff, Mellisa Marks, Edward Said, and Margaret Cezair-Thompson.
