Discover MFA Programs in Art and Writing
José Guadalupe Posada, woodcut.
Lucy Skaer might be hiding a time machine.
The Library of America, doing what it does best, offers six of Ward’s groundbreaking woodcut novels from the 1930s in a beautifully printed two-volume set.
Mimi Thompson on how Sheila Berger’s paintings manage to brilliantly evoke emotions, places and times.
Originally published in
Featuring interviews with Errol Morris, Peggy Shaw, Laurie Anderson, Carlo Ginzburg, Raymond Pettibon, Judy Pfaff, Mellisa Marks, Edward Said, and Margaret Cezair-Thompson.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
