Fred Tomaselli, Portrait of Bill, 1992, drawing, 17½ × 14½ inches.
Fred Tomaselli, Analgesic, Sugar and Saccharin #3, 1991, photogram, 14 × 10½ inches.
Gabriele Beveridge has quite the eye for sad-looking models in posters—the kind of women who hawk things like hair dye and shampoo.
Brian got up early that Saturday to do his laundry then tracked down a friend who owed him ten dollars and scored some crystal meth in the process.
Originally published in
Featuring interviews with Tony Kushner, Ousmane Sembene, Jeanette Winterson, Andres Serrano, Faye Myenne Ng, Vernon Reid, Gillian Armstrong, Andrew MacNair, Laurie Carlos, Srinivas Krishna, Mira Schor, and Barbara Hammer.
How do I build a fugitive choreography, one that’s always in the process of escaping itself, then coming back to reaffirm itself, only to slide away again? The act of interpreting a choreography is made live by the performers, which is the invitation in my work.
Ligia Lewis
