Like many writers, I feel centered when I write, or it might be better to say, when I don’t write, when I can’t write for whatever reason, I feel, frankly, de-stabilized. It’s dangerous for me not to write.
—
Sigrid Nunez
Two Works by Fred Tomaselli
- Tony Kushner by Craig Lucas
- Fae Myenne Ng by Angel Velasco Shaw
- Jeanette Winterson by Catherine Bush
- Andres Serrano by Anna Blume
- Mira Schor by Shirley Kaneda
- Barbara Hammer by Tina DiFeliciantonio
- Gillian Armstrong by Liza Béar
- Ousmane Sembene by John Singleton & Reginald Woolery
- Vernon Reid by Tracie Morris
- Srinivas Krishna by Lawrence Chua
- Laurie Carlos by Nicky Paraiso
Interviews
Discover MFA Programs in Art and Writing
Fred Tomaselli, Portrait of Bill, 1992, drawing, 17½ × 14½ inches.
Fred Tomaselli, Analgesic, Sugar and Saccharin #3, 1991, photogram, 14 × 10½ inches.
Related
Gabriele Beveridge has quite the eye for sad-looking models in posters—the kind of women who hawk things like hair dye and shampoo.
Brian got up early that Saturday to do his laundry then tracked down a friend who owed him ten dollars and scored some crystal meth in the process.
Originally published in
BOMB 43,
Spring 1993
Featuring interviews with Tony Kushner, Ousmane Sembene, Jeanette Winterson, Andres Serrano, Faye Myenne Ng, Vernon Reid, Gillian Armstrong, Andrew MacNair, Laurie Carlos, Srinivas Krishna, Mira Schor, and Barbara Hammer.
