Two Sculptures by Christina Thomas

BOMB 7 Fall 1983
007 Fall 1983
Christina Thomas 001

Left: Christina Thomas, Enza, 1983, painted Plastercoat, 46.08 × 11.81 × 11.81 inches. Right: Christina Thomas, Solara, 1983, painted Plastercoat, 47.25 × 17.33 × 17.33 inches. Photos by Borowiak. Courtesy of Galerie Rolfe Ricke.

Tectonical Turn

Christina Thomas’s sculptures have neither object-character nor a figurative meaning. They seem to be self-confident space-beings or introverted castle-towers, that could stand in a rough mythic landscape, they could also face the architecture of Luis Barragan, or, thinking to 1984, personify weird-looking observation posts.

Untitled Sculpture by Joel Shapiro
​Joel Shapiro 001
Potential Symbols: Sacha Ingber Interviewed by Hallie McNeill
Sacha Ingber, Conspiracy of Mass, 2020

Merging image and object.

Peter Bradley by Steve Cannon, Quincy Troupe & Cannon Hersey
Pbradley Bomb 1

“I don’t want to mention names, but there are several black artists that would like to shoot me today because they weren’t in that show. Some of them are dead, but the ones that aren’t dead still give me a lot of bullshit every time I see them.”

Portfolio by Sebastian Black
Black Bomb 1

“It felt like a thought. That’s something.”

Originally published in

BOMB 7, Fall 1983

Daniel Schmid by Gary Indiana, Robin Winters, Lizzie Borden, Jorg Immendorf, Harry Kipper & Roger Herman, art by Carl Apfelschnitt, Kiki Smith, and more.

Read the issue
007 Fall 1983