But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward
Discover MFA Programs in Art and Writing
Heide Fasnacht, Scientific American, (work in progress) 43 × 140 × 140 inches. Photograph by Lisa Kahane. Inset: Heide Fasnacht, Two Views, Reel, 1988, wood, paint 31 × 45 × 37 inches. Courtesy of Germans Van Eck.
Originally published in
Featuring interviews with Patrick McGrath, Craig Lucas, Mary Ellen Mark, Isabel Toledo, Guy Gallo, Gary Indiana, David Kapp, Bobbie Ann Mason, Roland Legiardi-Laura, John Ford Noonan, Roni Horn, and Richard Edson.
But the idea of transformation has always been something that I romanticize in a work. I’m cautious of it but I also need it to connect my thoughts with the process of making. That’s really important.
Nari Ward