My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
—
Yayoi Kusama
Two Poems by Daisy Zamora
- Two Poems by Daisy Zamora
- Two Poems by Daniel Flores y Ascencio
- Cockenoe by David Rattray
- The Hidden Anguish of the Mouseketeers by Gary Indiana
- Spring Training by Glenn O'Brien
- Not Many by Isabel de los Ángeles Ruano
- From “San Francisco Libre” by Isidro Fuentes Castillo
- Whatever Happens by Jacek Gulla
- He Watched Me by James Purdy
- Three Reels from Guatemala by Janet Rodney
- Cemetary by Joaquin Pasos
- The Following Myth of Romantic Suffering Has to be Done Away With by Kathy Acker
- Strands by Kimiko Hahn
- Three Poems by Leonel Rugama
- Three Poems by Margaret Randall
- To Fernando by Michele Najlis
- So You Understand Once and For All by Miguel Huezo Mixco
- Two Poems by Otto René Castillo
- During the Mornings by Raquel Melendez
- Deudas (Doubts) by Reina Maria Rodriguez
- Five Poems by Roque Dalton
- 8 by Roberto Obregon
- Enigmatic Salts by Roberto Sosa
- Estare aqui (I will be here) by Rene Castilla R.
- Five Poems by Rosario Murillo
- To Roosevelt by Rubén Darío
- Three Poems by Vidaluz Meneses
- Acceptance Speech by Julio Cortázar
- Dark Love by Aaron Zuckerman
- Two Poems by Ana Ilce
- Two Poems by April Bernard
- In the High Ceiling of Stars by Bradford Morrow
- Not Only the Smile Was Seen: Caprice by Carlos Martinez Rivas
- Laments in Space by Clementina Suárez
First Proof
- Warriors Have Funny Heads by Francesc Torres
- Untitled Photograph by Gianfranco Gorgoni
- Christ in the 21st Century by Gin Taylor
- Escena Campestre by Hilda Vogl
- Palm Sunday, Century City | L.A. by Hope Sandrow
- Red Mask by Hunt Slonem
- Jack by Ira Richer
- Completion of the Circle by Italo Scanga
- Open (Entrance/Exit) #2 by James Ford
- Montezuma by James Nares
- Seated Woman by James Perry Walker
- Three Photographs by Jean-Marie Simon
- Untitled Drawing by Jim Kopp
- Elios Bailan by June Beer
- Blind Man’s Bluff by Vitaly Komar & Alexander Melamid
- Keon by Lan Payne
- The Long Prayer I, II by Lee Quinones
- Ancestor by Luis Frangella
- Ranas by Maka
- Two Photographs by Manuel Alvarez Bravo
- Two Paintings by Martha Diamond
- Nkrigom by Nick Ghiz
- Untitled Painting by Pam Wye
- San Pedro Lake, Atitlán Guatemala by Phyllis Galembo
- Death Flaunts Its Lover by Richard Hoffmann
- Untitled Photograph by Amanda Means
- Protection en la Tormenta by Carlos Arias Vicuna
- Macho Raton con Paisajes by Carlos Montenegro
- Woyzek by Edward Brezinski
- The Mad Sea Captain Charts a Course Up the Amazon by Richard Mock
- Two Sculptures by Ruth Vollmer
- Three Photographs by Susan Meiselas
- Camellian by Tina Girouard
- Female Acrobats by Tom Otterness
- Sketches by Joe Lewis
More
June Beer, Elios Bailan, Nicaragua. Courtesy of ASTC and Ventana New York.
The Return
The return will depend on how things are.
To talk to you as if nothing happened and
apologizing was not easy knowing that you too
were making your own final plan in your eagerness to
dispose of the unpredictable heart.
More distant than if you were living afar
or lived no more, neither describes
the secret fire that, encircling us,
shattered dreams & the backs
now forever turned avoiding the
eye’s treacherous spark.
Self-portrait
And here I am
shouldering my 20 years
my day’s rhythm determined
time meekly seized.
Translated by Eva Gasteazoro and Harris Schiff.
Eva Gasteazoro was part of a small group that started the Dance Movement in Nicaragua after the Revolution in 1979. Since coming to New York in 1982, she has continued to study and work in dance collectives and participated in the PAN/Spring Caravan Tour of New York State. She is currently dancing with choreographer Nancy Zendora. Her translations of Nicaraguan poetry are done in conjunction with New York poet Harris Schiff.
Harris Schiff is a poet living and working in New York. His book of poems, In the Heart of the Empire, is available from United Artists, New York. He is currently working on a collection of translations of Nicaraguan poetry.
Related
Staging historical justice in Hernán Ronsino’s Glaxo
“A writer worried about reception is cooking a dead book. A writer’s job is to produce the best possible book in absolute freedom, so the category ‘acceptable’ does not play in the process at all.”
From the train I could look out onto the infinite blue of the sea. I was still exhausted, wakeful from the overnight transatlantic flight to Rome, but looking out at the sea, that Mediterranean sea that was so infinite and so blue, made me forget it all, even myself. I don’t know why.
Originally published in
BOMB 9,
Spring 1984
Nicolas Echevarria, Pam Yates, art by James Nares and Tom Otterness, writing by Daisy Zamora, Kathy Acker, Glenn O’Brien, and more.
